Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 4.07/5 15 Votes

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This Is Where I Leave You (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman

Starring | Jason Bateman, Tina Fey, Jane Fonda, Adam Driver

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Non-Stop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May

Starring | Liam Neeson, Julianne Moore, Scoot McNairy, Michelle Dockery

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Judge (2014)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | David Dobkin | Cinematography by | Janusz Kaminski | Editing by | Mark Livolsi

Starring | Robert Downey Jr., Robert Duvall, Vera Farmiga, Billy Bob Thornton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Dracula Untold (2014)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson

Starring | Luke Evans, Dominic Cooper, Sarah Gadon, Art Parkinson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Annabelle (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | John R. Leonetti | Cinematography by | James Kniest | Editing by | Tom Elkins

Starring | Ward Horton, Annabelle Wallis, Alfre Woodard, Tony Amendola

Cameras | ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Equalizer (2014)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

’71 (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt

Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

The November Man (2014)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Roger Donaldson | Cinematography by | Romain Lacourbas | Editing by | John Gilbert

Starring | Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich

Cameras | ARRI ALEXA Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

Teenage Mutant Ninja Turtles (2014)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury

Starring | Megan Fox, Will Arnett, William Fichtner, Noel Fisher

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Me + Her (2014)

Motion Picture | 2D | Color | 2.39:1 | 10 Minutes

Directed by | Joseph Oxford | Cinematography by | Bradley Stonesifer | Editing by | Jonathan Melin

Starring | Keiko Agena, Will Choi, Farah Griffin, Kelvin Kao

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera

The Living (2014)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Jack Bryan | Cinematography by | Aleksandar Kosutic | Editing by | Frank Reynolds

Starring | Fran Kranz, Jocelin Donahue, Kenny Wormald, Chris Mulkey

Cameras | Blackmagic Cinema Camera

The Purge: Anarchy (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller

Starring | Frank Grillo, Carmen Ejogo, Zach Gilford, Kiele Sanchez

Cameras | ARRI ALEXA XT Camera

Deliver Us from Evil: Sarchie (2014)

Direct to Video | 2D | Color | 2.39:1 |

Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Before I Disappear (2014)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell

Starring | Shawn Christensen, Fatima Ptacek, Emmy Rossum, Paul Wesley

Cameras | ARRI ALEXA Series Cameras

Lenses | Hawk V-Lite Lenses

Fury (2014)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn

Starring | Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

The Giver (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 97 Minutes

Directed by | Phillip Noyce | Cinematography by | Ross Emery | Editing by | Barry Alexander Brown

Starring | Brenton Thwaites, Jeff Bridges, Meryl Streep, Taylor Swift

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Lucy (2014)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked

Cameras | ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Gone Girl (2014)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 149 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter

Starring | Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry

Cameras | Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

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