2.39:1 | 1565 Titles
Fallen Angels (1995)
Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle | Editing by | William Chang, Ming Lam Wong
Cameras | ARRI Cameras
Lenses | Kinoptik Lenses
La Marginale (2022)
Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens
Bliss (2019)
Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier
Lenses | Zeiss Super Speed Lenses
Operation Portugal (2021)
Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
Arc de Barà (2016)
Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos
Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black
The Wave (2008)
Directed by | Dennis Gansel | Cinematography by | Torsten Breuer | Editing by | Ueli Christen
Cameras | ARRI Cameras
Lenses | ARRI Lenses
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Narrator (2018)
Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Capa Negra (2018)
The Giant (2017)
Directed by | Aitor Arregi, Jon Garaño | Cinematography by | Javier Agirre | Editing by | Laurent Dufreche, Raúl López
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Greyhound (2020)
Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky
Cameras | Panavision Millennium DXL Camera
Lenses | Panavision Sphero 65 Series Lenses
Incident in a Ghostland (2018)
Directed by | Pascal Laugier | Cinematography by | Danny Nowak | Editing by | Dev Singh
Cameras | Red Epic Dragon Camera
Lenses | Optica Elite 35 Spherical Lenses
Baby Driver (2017)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Parasite (2019)
Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang
Cameras | ARRI ALEXA 65 Camera
Ready or Not (2019)
Directed by | Matt Bettinelli-Olpin, Tyler Gillett | Cinematography by | Brett Jutkiewicz | Editing by | Terel Gibson
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke 5/i Lenses
Runner (2018)
Directed by | Keno Aladjuz, Adelheid Bos, Lex Mannens | Editing by | Keno Aladjuz
Cameras | Nikon Cameras
Julia (2019)
Directed by | Keno Aladjuz, Coen de Leeuwe | Cinematography by | Keno Aladjuz | Editing by | Keno Aladjuz, Coen de Leeuwe
Cameras | Red Scarlet Camera
Lenses | Samyang Lenses