CFast Card | 30 Titles
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
The Pills (2021)
Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov
Cameras | Red Komodo Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
I Don’t Feel at Home in This World Anymore (2017)
Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris
Cameras | ARRI ALEXA Mini Camera
Sorry to Bother You (2018)
Directed by | Boots Riley | Cinematography by | Doug Emmett | Editing by | Terel Gibson
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses
American Animals (2018)
Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart
In Fabric (2018)
Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete
Cameras | ARRI ALEXA Mini Camera
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
Thoroughbreds (2017)
Directed by | Cory Finley | Cinematography by | Lyle Vincent | Editing by | Louise Ford
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Blindspotting (2018)
Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming
Overlord (2018)
Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans
Wonder Woman (2017)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | ARRI Rental Prime 65 Lenses
Upgrade (2018)
Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Happy Death Day (2017)
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
Hereditary (2018)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston, Jennifer Lame
Cameras | ARRI ALEXA Mini Camera
Destroyer (2018)
Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision Lenses
Mudbound (2017)
Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
Get Out (2017)
Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Zoom Lenses
Triangle of Sadness (2022)
Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund
Lenses | Zeiss Supreme Prime Series Lenses
