HDCAM SR | 115 Titles
Archie’s Final Project (2009)
Directed by | David Lee Miller | Cinematography by | Angie Hill, Lisa Wiegand | Editing by | Jordan J. Miller, Gabriel Sunday
Cameras | Panasonic AJ-SDX900 Camera
Home (2009)
Directed by | Yann Arthus-Bertrand | Cinematography by | Michel Benjamin, Dominique Gentil | Editing by | Yen Le Van
Cameras | Cineflex V14HD Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Smokin’ Aces 2: Assassins’ Ball (2010)
Directed by | P.J. Pesce | Cinematography by | David Geddes | Editing by | Angela M. Catanzaro
Cameras | Panavision Genesis Camera
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
S.W.A.T.: Firefight (2011)
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
Just Go with It (2011)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Youth in Revolt (2009)
Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
Tiny Furniture (2010)
Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands
Cameras | Canon EOS-7D Camera
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera
Paul Blart: Mall Cop (2009)
Directed by | Steve Carr | Cinematography by | Russ T. Alsobrook | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Machete (2010)
Directed by | Ethan Maniquis, Robert Rodriguez | Cinematography by | Jimmy Lindsey | Editing by | Rebecca Rodriguez, Robert Rodriguez
Cameras | Panavision Genesis Camera
































































