Cameras » Sony Cameras

Sony Betacam (Unknown) Camera : 5Sony BVP-900 Camera : 1Sony BVP-950 Camera : 1Sony CineAlta Cameras : 319Sony DCR-PC110 Camera : 2Sony DCR-PC3 Camera : 1Sony DCR-SR60 Camera : 2Sony DCR-TRV120 Camera : 1Sony DCR-TRV950E Camera : 1Sony DCR-VX1000 : 1Sony DCR-VX2000 Camera : 5Sony DSC-T1 Camera : 1Sony DSR-300 Camera : 1Sony DSR-390 Camera : 1Sony DSR-500WS Camera : 1Sony DSR-PD100 Camera : 2Sony DSR-PD150 Camera : 12Sony DSR-PDX10P Camera : 1Sony DVW-700WS : 1Sony HDC-1500 Camera : 7Sony HDC-2500s : 1Sony HDC-300 Camera : 1Sony HDC-750 Camera : 2Sony HDC-P1 Camera : 2Sony HDR-FX1 Camera : 5Sony HDR-FX1000 Camera : 1Sony HDW-700A Camera : 1Sony HDW-750 Camera : 6Sony HVR-V1(P/E) Camera : 2Sony HVR-Z1E Camera : 4Sony HVR-Z1U Camera : 6Sony HXR-MC2500 Camera : 1Sony ILME-FX3 Camera : 5Sony ILME-FX6 Camera : 2Sony NEX-FS100 Camera : 7Sony Other Camera : 10Sony PMW-350 Camera : 1Sony PXW-FS5 Camera : 2Sony PXW-FS5M2 Camera : 1Sony PXW-FS7 Camera : 9Sony PXW-FS9 Camera : 1Sony SRW-9000PL Camera : 3Sony α7 Series Cameras : 30

Sony Cameras | 442 Titles

Sony Cameras 5.00/5 2 Votes

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Chasing Ice (2012)

Documentary | 2D | Color | 1.78:1 (16x9) | 75 Minutes

Directed by | Jeff Orlowski | Cinematography by | Jeff Orlowski | Editing by | Davis Coombe

Starring | James Balog, Svavar Jónatansson, Louie Psihoyos, Kitty Boone

Cameras | Canon Cameras, Panasonic Cameras, Sony Cameras

My King (2015)

Motion Picture | 2D | Color | 124 Minutes

Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet

Starring | Vincent Cassel, Emmanuelle Bercot, Louis Garrel, Isild Le Besco

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses

Jamais de la vie (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps

Starring | Olivier Gourmet, Valérie Bonneton, Marc Zinga, Thierry Hancisse

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses

Journal d’une femme de chambre (2015)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory

Starring | Léa Seydoux, Vincent Lindon, Clotilde Mollet, Hervé Pierre

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Une enfance (2015)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck

Starring | Alexi Mathieu, Angelica Sarre, Pierre Deladonchamps, Jules Gauzelin

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Je vous souhaite d’être follement aimée (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz

Starring | Céline Sallette, Anne Benoît, Françoise Lebrun, Elyes Aguis

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Belle (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Amma Asante | Cinematography by | Ben Smithard | Editing by | Victoria Boydell, Pia Di Ciaula

Starring | Gugu Mbatha-Raw, Matthew Goode, Emily Watson, Miranda Richardson

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Vie sauvage (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet

Starring | Mathieu Kassovitz, Céline Sallette, David Gastou, Sofiane Neveu

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Father and Daughter (2000)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 8 Minutes

Directed by | Michael Dudok de Wit

Cameras | Sony Betacam (Unknown) Camera

Hybrids (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Tony Randel | Cinematography by | David M. Rakoczy | Editing by | Tony Randel

Starring | Paul Sorvino, Carolyn Hennesy, Mojean Aria, Philip Willingham

Cameras | Sony Cameras, Sony PMW-F3 Camera

Let’s Be Cops (2014)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Luke Greenfield | Cinematography by | Daryn Okada | Editing by | Bill Pankow, Jonathan Schwartz

Starring | Jake Johnson, Damon Wayans Jr., Rob Riggle, Nina Dobrev

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sanatorium (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler

Starring | Don Fanelli, Charlie Fersko, DJ Hazard, Lauren Hunter

Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera

Blockbuster: Das Leben ist ein Film (2015)

Motion Picture | 2D | Color | 107 Minutes

Directed by | Vlado Priborsky | Cinematography by | Costa Konstantinou, Edgar Pfandler, Daniel Steiner | Editing by | Markus Hautz

Starring | Philipp Aigner, Pia Sophie Angelis, Bianca Augustin, Barbara Brunner

Cameras | Sony NEX-FS100 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon FD 100 mm f2.8 SSC Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

Deliver Us from Evil: Sarchie (2014)

Direct to Video | 2D | Color | 2.39:1 |

Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Leverage (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson

Starring | Timothy Hutton, Gina Bellman, Christian Kane, Beth Riesgraf

Cameras | GoPro HD Hero2 Camera, Red One MX Camera, Sony PMW-EX1 Camera

Lucy (2014)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked

Cameras | ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

A Guerra da Beatriz (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 101 Minutes

Directed by | Luigi Acquisto, Bety Reis | Cinematography by | Valeriu Campan | Editing by | Nick Calpakdjian

Starring | Irim Tolentino, Augusta Soares, José da Costa, Osme Gonsalves

Cameras | Sony Cameras, Sony PMW-F3 Camera

Annie (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan

Starring | Quvenzhané Wallis, Cameron Diaz, Jamie Foxx, Rose Byrne

Cameras | Sony PMW-F55 Camera

Le grand retournement (2013)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton

Starring | Jacques Weber, François Morel, Edouard Baer, Franck de la Personne

Cameras | Sony PMW-F3 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

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