Red Epic Camera | 179 Titles
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Boomerang (2015)
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Begin Again (2013)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
Twenty Feet from Stardom (2013)
Directed by | Morgan Neville | Cinematography by | Nicola Marsh, Graham Willoughby | Editing by | Douglas Blush, Kevin Klauber, Jason Zeldes
Cameras | Canon EOS-C300 Camera, Red Epic Camera
Rudhramadevi (2015)
Directed by | Gunasekhar | Cinematography by | Ajay Vincent | Editing by | A. Sreekar Prasad
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
L’écume des jours (2013)
Directed by | Michel Gondry | Cinematography by | Christophe Beaucarne | Editing by | Marie-Charlotte Moreau
Cameras | Red Epic Camera
Annabelle (2014)
Lost for Words (2013)
Directed by | Stanley J. Orzel | Cinematography by | Jimmy Wong | Editing by | Darren Richter
Cameras | Red Epic Camera
Awaiting (2015)
Directed by | Mark Murphy | Cinematography by | Hong Manley | Editing by | Dragos Teglas
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Red Pro Prime 300 mm T2.9 Lens
Lucy (2014)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Body Language (2014)
Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner
Cameras | Red Digital Cinema Cameras, Red Epic Camera
Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses
Concussion (2013)
Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo
Cameras | Red Epic Camera
Lenses | Zeiss Lenses
Brick Mansions (2014)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
La grande boucle (2013)
Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille
Cameras | Red Epic Camera
Bicycling with Molière (2013)
Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman
Cameras | Red Epic Camera
