Red Digital Cinema Cameras | 534 Titles
La danza de la realidad (2013)
Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
9 mois ferme (2013)
Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel
Cameras | Red Epic Camera
Tirez la langue, mademoiselle (2013)
Directed by | Axelle Ropert | Cinematography by | Céline Bozon | Editing by | François Quiqueré
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
The Reckoning (2014)
Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko
Cameras | ARRI ALEXA Camera, Red Epic Camera
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
Anything for Alice (2014)
Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bon rétablissement ! (2014)
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Maintenant ou jamais (2014)
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Fishing Without Nets (2014)
Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
La lampe au beurre de yak (2013)
Directed by | Wei Hu | Cinematography by | Stéphane Degnieau, Jean Legrand | Editing by | Wei Hu
Cameras | Red Epic Camera
Lenses | Red Pro Prime Lenses
L’ex de ma vie (2014)
Directed by | Dorothée Sebbagh | Cinematography by | Gilles Porte | Editing by | Laurent Rouan
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Panavision G Series Anamorphic Lenses
La ritournelle (2014)
Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
La vie très privée de Monsieur Sim (2015)
Directed by | Michel Leclerc | Cinematography by | Guillaume Deffontaines | Editing by | François Gédigier
Cameras | Red Epic Dragon Camera
Boomerang (2015)
