Spherical Camera Aperture | 1217 Titles
Je n’ai rien oublié (2010)
Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses
On ne choisit pas sa famille (2011)
Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Un baiser papillon (2011)
Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses
Sur la piste du Marsupilami (2012)
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Switch (2011)
Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary
Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Diana (2013)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
Runner Runner (2013)
Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
One for the Road (2009)
Je vais te manquer (2009)
Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Accomplices (2009)
Directed by | Frédéric Mermoud | Cinematography by | Thomas Hardmeier | Editing by | Sarah Anderson
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Don Jon (2013)
Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman
Killing Season (2013)
Directed by | Mark Steven Johnson | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blue Jasmine (2013)
Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter
Lenses | Zeiss Master Prime Lenses
The Heat (2013)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White
Defiance (2008)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Ángela (2005)
Les deux mondes (2007)
Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Chrysalis (2007)
Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss
Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
