48 kHz Sample Rate | 94 Titles
Flytrap (2015)
Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Pi (1998)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
The Granary (2017)
Directed by | Eveshka Ghost | Editing by | Eveshka Ghost
Cameras | Canon EOS 550D Camera, Canon EOS Rebel T2i Camera
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Missing Girl (2017)
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
The Radicalization of Jeff Boyd (2017)
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder
Cameras | Blackmagic Pocket Cinema Camera
Set Fire to the Stars (2014)
Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones
Cameras | ARRI ALEXA Series Cameras
The Vanishing (2018)
Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg
Cameras | ARRI Cameras
The Librarians (2014)
| Cinematography by | David Connell | Editing by | Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason
Cameras | Red Epic Dragon Camera, Red One MX Camera
Treasures of the Copper Scroll (2007)
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
Key of Brown (2013)
Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion
Cameras | Sony PMW-F3 Camera
El Último Suspiro (2017)
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leitz Lenses
Revelator (2017)
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
Pipe Dreams: Six of Them (2016)
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
Postpartum (2016)
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
Tú y yo (2014)
Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada
Cameras | Panasonic Lumix DMC-GH2 Camera
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Kebab i horoskop (2014)
Odium (2013)
Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski
Cameras | Canon EOS-5D Mark III Camera
