Year Released ~ 2023 | 384 Titles

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American Symphony (2023)

Documentary | 2D | Color | 104 Minutes

Directed by | Matthew Heineman | Cinematography by | Tony Hardmon, Matthew Heineman, Clair Popkin, Thorsten Thielow | Editing by | Sammy Dane, Matthew Heineman, Jim Hession, Fernando Villegas

Starring | Jon Batiste, Lindsey Byrnes, Jonathan Dinklage

The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

The Killer (2023)

Motion Picture | 2D | 4K Project | Color | 118 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Michael Fassbender, Tilda Swinton, Charles Parnell

Cameras | Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Robot Dreams (2023)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Pablo Berger | Editing by | Fernando Franco

Starring | Ivan Labanda, Tito Trifol, Rafa Calvo

Saltburn (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 131 Minutes

Directed by | Emerald Fennell | Cinematography by | Linus Sandgren | Editing by | Victoria Boydell

Starring | Barry Keoghan, Jacob Elordi, Archie Madekwe

Cameras | ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Taylor Swift: The Eras Tour (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Sam Wrench | Editing by | Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Dom Whitworth, Mark 'Reg' Wrench

Starring | Taylor Swift, Mike Meadows, Max Bernstein

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Wil (2023)

Movie | 2D | Color | 1.33:1 (4x3) | 110 Minutes

Directed by | Tim Mielants | Cinematography by | Robrecht Heyvaert | Editing by | Bert Jacobs

Starring | Stef Aerts, Matteo Simoni, Annelore Crollet

Rustin (2023)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein

Starring | Colman Domingo, Chris Rock, Glynn Turman

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Rental DNA LF Lenses

Een Rivier om te Bevriezen (2023)

Short Film | 2D | 6K Project | Color | 1.66:1 | 18 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Jun Jun Liang, Jenny Hsia, Aaron Wan

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Beau Is Afraid (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 179 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Joaquin Phoenix, Patti LuPone, Amy Ryan

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Sharp Instinct (2023)

Direct to Video | 2D | HD Project | Color | 1.85:1 | 40 Minutes

Directed by | Callum McLelland | Cinematography by | Callum McLelland | Editing by | Callum McLelland

Starring | Joe Scott, Paul Burke, Mark Stinson

Cameras | Panasonic Cameras

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

'Law & Order' Land of Opportunity (2023)

Television Episode | Color |

"Law & Order" Land of Opportunity | ShotOnWhat?

Directed by | Timothy Busfield

Starring | Jeffrey Donovan, Mehcad Brooks, Camryn Manheim

'Law & Order' Second Chance (2023)

Television Episode | Color |

"Law & Order" Second Chance | ShotOnWhat?

Directed by | Rachel Leiterman

Starring | Jeffrey Donovan, Mehcad Brooks, Camryn Manheim

'Law & Order' Deadline (2023)

Television Episode | Color |

"Law & Order" Deadline | ShotOnWhat?

Directed by | Martha Mitchell

Starring | Jeffrey Donovan, Mehcad Brooks, Camryn Manheim

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