Year Released ~ 2023 | 384 Titles
Lessons in Chemistry (2023)
| Cinematography by | Zack Galler, Jason Oldak | Editing by | Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild
Cameras | ARRI ALEXA Mini LF Camera
The Holdovers (2023)
Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent
Cameras | ARRI ALEXA Mini Camera
Society of the Snow (2023)
Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Napoleon (2023)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses
The Boy and the Heron (2023)
Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi
The Teachers’ Lounge (2023)
Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Elemental (2023)
Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer
Maestro (2023)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro
Lenses | Panavision PVintage Prime Lenses
El Conde (2023)
Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Mini LF Monochrome Camera
Lenses | Zero Optik Baltar Series Lenses
The Iron Claw (2023)
Anatomy of a Fall (2023)
Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal
Cameras | ARRI ALEXA Mini LF Camera
Perfect Days (2023)
Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer
Cameras | Sony CineAlta VENICE 2 Camera
Lenses | Canon K35 Prime Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Nimona (2023)
The Creator (2023)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker
Cameras | Sony ILME-FX3 Camera
Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)
American Fiction (2023)
Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Tribe7 Blackwing7 Lenses
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Io Capitano (2023)
Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Golda (2023)
Indiana Jones and the Dial of Destiny (2023)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera