Sony Dynamic Digital Sound (SDDS) | 1011 Titles
Brother Bear (2003)
Finding Nemo (2003)
Directed by | Andrew Stanton, Lee Unkrich | Cinematography by | Sharon Calahan, Jeremy Lasky, Jericca Cleland | Editing by | David Ian Salter
The Chubbchubbs! (2002)
Treasure Planet (2002)
Directed by | Ron Clements, John Musker | Cinematography by | Rasoul Azadani | Editing by | Michael Kelly
Spirit: Stallion of the Cimarron (2002)
Lilo & Stitch (2002)
Kate & Leopold (2001)
Directed by | James Mangold | Cinematography by | Stuart Dryburgh | Editing by | David Brenner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Monsters, Inc. (2001)
Directed by | Pete Docter, David Silverman, Lee Unkrich | Editing by | Robert Grahamjones, Jim Stewart
Shrek (2001)
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Pitch Perfect 2 (2015)
Directed by | Elizabeth Banks | Cinematography by | Jim Denault | Editing by | Craig Alpert
Cameras | ARRI ALEXA Plus Camera
The Book Thief (2013)
Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Trainwreck (2015)
Directed by | Judd Apatow | Cinematography by | Jody Lee Lipes | Editing by | William Kerr, Paul Zucker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke 5/i Lenses
Up (2009)
Directed by | Pete Docter, Bob Peterson | Cinematography by | Patrick Lin | Editing by | Kevin Nolting
Julie & Julia (2009)
Fifty Shades of Grey (2015)
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Chappie (2015)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt
Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Dolphin Tale 2 (2014)
Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock
Cameras | Sony PMW-F55 Camera
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses