2D | 5452 Titles
The Thistle in the Kiss (2023)
Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Nikon - Nikkor Lenses
The House Invictus (2020)
Directed by | Uche Aguh | Cinematography by | Dennis Schmitz | Editing by | Uche Aguh, Dennis Schmitz
Cameras | Panasonic Lumix DMC-GH5 Camera
The Stroller Strategy (2012)
Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Glengarry Glen Ross (1992)
Spooky Squad: Bigfoot’s Big Feat (2015)
Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano
Cameras | Red Epic Dragon Camera
Nomadland (2020)
Directed by | Chloé Zhao | Cinematography by | Joshua James Richards
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Some Kind of Heaven (2020)
Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses
Promising Young Woman (2020)
Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA Mini Camera
Tetris (2021)
Directed by | Jon S. Baird
Cameras | Sony CineAlta VENICE Camera
Lenses | Panavision Anamorphic Zoom Lenses, Panavision AWZ2.3 37-85mm T2.8 Lens, Panavision C Series Anamorphic Lenses
Music Hole (2021)
Directed by | Gaëtan Lekens, David Mutzenmacher | Cinematography by | Bruno Degrave | Editing by | Alexandre Adam
Cameras | Red Monstro 8K Camera
Lenses | Cooke S7/i 100mm T2.0 Lens, Cooke S7/i 135mm T2.0 Lens, Cooke S7/i 18mm T2.0 Lens, Cooke S7/i 25mm T2.0 Lens, Cooke S7/i 32mm T2.0 Lens, Cooke S7/i 50mm T2.0 Lens, Cooke S7/i 75mm T2.0 Lens
Marguerite (2017)
Directed by | Marianne Farley | Cinematography by | Marc Simpson-Threlford | Editing by | Mathieu Bélanger
Come Away (2020)
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Sound of Metal (2019)
Directed by | Darius Marder | Cinematography by | Daniël Bouquet | Editing by | Mikkel E.G. Nielsen
Cameras | Aaton Penelope Camera
Cosmos (2019)
Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver
Cameras | Blackmagic Pocket Cinema Camera
Mother! (2017)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Room X (2008)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams
Cameras | Bolex H16 SB Camera
Lenses | Angenieux Lenses


















































