2D | 5452 Titles
Upstairs Downstairs (2010)
| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer
Cameras | ARRI ALEXA Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Political Animals (2012)
| Cinematography by | Michael Mayers, Alan Caudillo | Editing by | Barbara Gerard, Kristin Windell
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Winter’s Tale (2014)
Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Vampire Academy (2014)
Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill
Cameras | ARRI ALEXA Camera
Shameless (2011)
| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras | ARRI ALEXA Camera, Red One MX Camera
Boss (2011)
| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris
Cameras | ARRI ALEXA Camera
The Raid 2 (2014)
Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans
Lenses | Zeiss Ultra Prime Lenses
That Awkward Moment (2014)
Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman
Cameras | ARRI ALEXA Plus Camera
Le sang de la vigne (2011)
| Cinematography by | Jean-Claude Aumont, Gérard Sterin, Philippe Pavans de Ceccatty | Editing by | Gaëlle Ramillon, Dominique Mazzoléni, Françoise Roux, Fred Béraud-Dufour
Cameras | Sony SRW-9000PL Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
The Returned (2012)
| Cinematography by | Patrick Blossier | Editing by | Bertrand Nail, Peggy Koretzky, Laurence Bawedin, Mike Fromentin, Gwen Mallauran
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Profilage (2009)
| Cinematography by | Marc Falchier, Benjamin Louet, Jean-Philippe Gosselin, Laurent Dhainaut, Thierry Deschamp, Dominique Brenguier, Vincent Vieillard-Baron | Editing by | Emmanuel Douce, Ludivine Saes, François Charpentier, Bertrand Maillard, Vincent Delorme, Magalie Tate, Bob Rayers, Jean de Garrigues, Julien Ouvrard, Frédéric Massiot, Romaric Nereau, Nicolas Garnier, Quentin Boulay, Romain Namura
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
La croisière (2013)
| Cinematography by | Jean-Philippe Bouyer | Editing by | Stéphanie Gaurier, Mathieu Doll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Main courante (2012)
| Cinematography by | Luc Pagès | Editing by | Nicolas Pechitch, Bob Rayers, Jean de Garrigues
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Divergent (2014)
Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses
Nashville (2012)
| Cinematography by | Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters | Editing by | Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Chicago Fire (2012)
| Cinematography by | Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo | Editing by | Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton
Cameras | ARRI ALEXA Camera
The Mob Doctor (2012)
| Cinematography by | Arthur Albert | Editing by | John Duffy, Augie Hess, John Axness, Bill Johnson, Lisa Bromwell
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
American Blackout (2013)
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd
Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
Four Kinds of Love (2014)
Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera
