2D | 5452 Titles
Le grand soir (2012)
Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
10 jours en or (2012)
Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sister (2012)
Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman
Cameras | ARRI ALEXA Camera
À coeur ouvert (2012)
Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Camera
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
Ma bonne étoile (2012)
Bowling (2012)
Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois
Cameras | ARRI ALEXA Camera
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
22 Jump Street (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie
Cameras | ARRI ALEXA XT Camera
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Son of God (2014)
Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall
Cameras | ARRI ALEXA Plus Camera
Lenses | ARRI / Fujinon Lenses
About Last Night (2014)
Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman
Cameras | Sony CineAlta F65 Camera
Lenses | Leitz Summilux-C Series Lenses
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb
Le crocodile du Botswanga (2014)
Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Numeri (2013)
Directed by | Gianluca Balla | Cinematography by | Francesco De Gasperis | Editing by | Gianluca Balla
Cameras | Canon EOS-7D Camera
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Luther (2010)
| Cinematography by | Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson | Editing by | Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
