North America | 1782 Titles
Sideways (2004)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Shark Tale (2004)
Directed by | Bibo Bergeron, Vicky Jenson, Rob Letterman | Editing by | Nick Fletcher, Peter Lonsdale, John Venzon
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
The Polar Express (2004)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscoll
Autism Is a World (2004)
Directed by | Gerardine Wurzburg | Cinematography by | Gary Griffin | Editing by | Barbara Ballow, Anny Lowery Meza
Transamerica (2005)
10.000 Km (2014)
Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Street Fight (2005)
Directed by | Marshall Curry | Cinematography by | Marshall Curry | Editing by | Marshall Curry, Rachel Kittner, Mary Manhardt
A Note of Triumph: The Golden Age of Norman Corwin (2005)
Murderball (2005)
Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman
Cameras | Panasonic AG-DVX100 Camera
The Death of Kevin Carter: Casualty of the Bang Bang Club (2004)
Directed by | Dan Krauss | Cinematography by | Dan Krauss, Monica Lam, Mike Welt | Editing by | Dan Krauss
Rehearsing a Dream (2006)
Directed by | Karen Goodman, Kirk Simon | Cinematography by | Greg Andracke, Stephen McCarthy, Kirk Simon, Buddy Squires | Editing by | Nancy Baker
Deadpool (2016)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA XT Plus Camera
Monster House (2006)
Directed by | Gil Kenan | Cinematography by | Xavier Grobet | Editing by | Fabienne Rawley, Adam P. Scott
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
Jesus Camp (2006)
Directed by | Heidi Ewing, Rachel Grady | Cinematography by | Mira Chang, Jenna Rosher | Editing by | Enat Sidi
Sicko (2007)
Directed by | Michael Moore | Cinematography by | Andrew Black, Jayme Roy | Editing by | Geoffrey Richman, Christopher Seward, Dan Swietlik
Ratatouille (2007)
Directed by | Brad Bird, Jan Pinkava | Cinematography by | Robert Anderson | Editing by | Darren T. Holmes
Operation Homecoming: Writing the Wartime Experience (2007)
