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New York | 379 Titles

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Tracers (2015)

Motion Picture | 2D | Other Project Resolution | Color | 94 Minutes

Directed by | Daniel Benmayor | Cinematography by | Nelson Cragg | Editing by | Peter Amundson

Starring | Taylor Lautner, Marie Avgeropoulos, Adam Rayner, Rafi Gavron

Cameras | Red Epic Camera

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Intern (2015)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton

Starring | Robert De Niro, Anne Hathaway, Rene Russo, Anders Holm

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Weather Underground (2002)

Documentary | 2D | Color | 92 Minutes

Directed by | Sam Green, Bill Siegel | Cinematography by | Andrew Black, Federico Salsano | Editing by | Sam Green, Dawn Logsdon

Starring | Lili Taylor, Pamela Z, Jim Lange, Evan White

Capturing the Friedmans (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Andrew Jarecki | Cinematography by | Adolfo Doring | Editing by | Richard Hankin

Starring | Arnold Friedman, Jesse Friedman, David Friedman, Elaine Friedman

Twin Towers (2003)

Documentary | 2D | Color | 34 Minutes

Directed by | Bill Guttentag, Robert David Port | Cinematography by | Scott Hillier, Jefferson Miller | Editing by | Michael Schweitzer

Bowling for Columbine (2002)

Documentary | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Michael Moore | Editing by | Kurt Engfehr

Starring | Michael Moore, Charlton Heston, Marilyn Manson, Salvador Allende

Kate & Leopold (2001)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

Directed by | James Mangold | Cinematography by | Stuart Dryburgh | Editing by | David Brenner

Starring | Meg Ryan, Hugh Jackman, Liev Schreiber, Breckin Meyer

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Speed for Thespians (2000)

Short Film | 2D | Color | 28 Minutes

Directed by | Kalman Apple | Cinematography by | Michael Mayers | Editing by | Seth Anderson

Starring | Jamie Harris, Camilla Enders, Denis Holmes, Charles Tuthill

Thoth (2002)

Documentary | 2D | Color | 40 Minutes

Directed by | Sarah Kernochan | Cinematography by | Matthew Deetsch, Kate Fix, Mead Hunt, Don Lenzer, Jason Summers | Editing by | Emily Paine

War Photographer (2001)

Documentary | 2D | Color | 1.66:1 | 96 Minutes

Directed by | Christian Frei | Cinematography by | Peter Indergand, James Nachtwey | Editing by | Christian Frei

Starring | James Nachtwey, Christiane Amanpour, Hans-Hermann Klare, Christiane Breustedt

Cameras | Canon Cameras, Sony Cameras

The Cobbler (2014)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle

Starring | Adam Sandler, Melonie Diaz, Steve Buscemi, Method Man

Cameras | ARRI ALEXA Plus Camera

Trainwreck (2015)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Judd Apatow | Cinematography by | Jody Lee Lipes | Editing by | William Kerr, Paul Zucker

Starring | Amy Schumer, Bill Hader, Brie Larson, Colin Quinn

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke 5/i Lenses

Run All Night (2015)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt

Starring | Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D'Onofrio

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Man & Beast (2012)

Motion Picture | 2D | Color | 2.35:1 | 11 Minutes

Directed by | Dante Ariola | Cinematography by | Jeff Cronenweth | Editing by | Andrea MacArthur

Starring | Jet Jurgensmeyer, Joe Sofranko, Peter Cornelius, Suzan Crowley

Cameras | Canon EOS-C500 Camera

Lenses | Canon EF Series Lenses

Breakup at a Wedding (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter

Starring | Alison Fyhrie, Philip Quinaz, Mary Grill, Chris Manley

Cameras | Sony PMW-EX1 Camera

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

The French Minister (2013)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne

Starring | Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup, Bruno Raffaelli

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Eden (2014)

Motion Picture | 2D | Color | 131 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier

Starring | Félix de Givry, Pauline Etienne, Vincent Macaigne, Hugo Conzelmann

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

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