New York | 379 Titles
Mondays at Racine (2012)
Directed by | Cynthia Wade | Cinematography by | David Teague, Cynthia Wade | Editing by | David Teague
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Glen Campbell: I’ll Be Me (2014)
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
The Interview (2014)
Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Top Five (2014)
Still Alice (2014)
Directed by | Richard Glatzer, Wash Westmoreland | Cinematography by | Denis Lenoir | Editing by | Nicolas Chaudeurge
Cameras | ARRI ALEXA Camera
Love Is Strange (2014)
Directed by | Ira Sachs | Cinematography by | Christos Voudouris | Editing by | Affonso Gonçalves, Michael Taylor
Begin Again (2013)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
A Most Violent Year (2014)
I Call First (1967)
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
Cameras | Éclair NPR Camera, Mitchell BNC Camera
Breakfast at Tiffany’s (1961)
Directed by | Blake Edwards | Cinematography by | Franz Planer, Philip H. Lathrop | Editing by | Howard A. Smith
Coogan’s Bluff (1968)
Directed by | Don Siegel | Cinematography by | Bud Thackery, Robert Surtees | Editing by | Sam E. Waxman
Sabrina (1954)
West Side Story (1961) 
Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford
The Apartment (1960)
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras | Mitchell Cameras
Midnight Cowboy (1969)
A Fine Pair (1968)
