Bahamas | 10 Titles
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Caribbean
Never Say Never Again (1983)
Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Casino Royale (2006)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Cooper’s Treasure (2017)
| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Dolphins (2000)
Directed by | Greg MacGillivray | Cinematography by | Greg MacGillivray, Brad Ohlund | Editing by | Stephen Judson
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
After the Sunset (2004)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich
Cameras | ARRICAM Lite (LT) Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
