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Americas | 1901 Titles

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Elite Squad: The Enemy Within (2010)

Motion Picture | 2D | Color | 115 Minutes

Elite Squad: The Enemy Within | ShotOnWhat?

Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Daniel Rezende

Starring | Wagner Moura, Irandhir Santos, André Ramiro, Milhem Cortaz

Cameras | Aaton Penelope Camera

Lenses | Cooke S4 Lenses

Daughters of the Dust (1991)

Motion Picture | Color | 1.85:1 | 112 Minutes

Daughters of the Dust | ShotOnWhat?

Directed by | Julie Dash | Cinematography by | Arthur Jafa | Editing by | Joseph Burton, Amy Carey

Starring | Cora Lee Day, Alva Rogers, Barbarao, Trula Hoosier

Cameras | ARRI Cameras

Driving Miss Daisy (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner

Starring | Morgan Freeman, Jessica Tandy, Dan Aykroyd, Patti LuPone

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Murder in the First (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 122 Minutes

Directed by | Marc Rocco | Cinematography by | Fred Murphy | Editing by | Russell Livingstone

Starring | Christian Slater, Kevin Bacon, Gary Oldman, Embeth Davidtz

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Priest (2011)

Motion Picture | 3D | Color | 2.39:1 | 87 Minutes

Priest | ShotOnWhat?

Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold

Starring | Paul Bettany, Cam Gigandet, Maggie Q, Karl Urban

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Collateral (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell

Starring | Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Junebug (2005)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 106 Minutes

Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz

Starring | Embeth Davidtz, Alessandro Nivola, David Kuhn, Alicia Van Couvering

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

I Am Legend (2007)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

I Am Legend | ShotOnWhat?

Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman

Starring | Will Smith, Alice Braga, Charlie Tahan, Salli Richardson-Whitfield

Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

A Prophet (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 155 Minutes

Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Tahar Rahim, Niels Arestrup, Adel Bencherif, Reda Kateb

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Spy Game (2001)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner

Starring | Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Consenting Adults (1992)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen

Starring | Kevin Kline, Mary Elizabeth Mastrantonio, Kevin Spacey, Rebecca Miller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Alvin and the Chipmunks: Chipwrecked (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Mike Mitchell | Cinematography by | Thomas E. Ackerman | Editing by | Peter Amundson

Starring | Justin Long, Matthew Gray Gubler, Jesse McCartney, Jason Lee

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Last Castle (2001)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Rod Lurie | Cinematography by | Shelly Johnson | Editing by | Michael Jablow, Kevin Stitt

Starring | Robert Redford, James Gandolfini, Mark Ruffalo, Steve Burton

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Maria Full of Grace (2004)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy

Starring | Catalina Sandino Moreno, Guilied Lopez, Orlando Tobón, Virgina Ariza

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

12 Rounds (2009)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Renny Harlin | Cinematography by | David Boyd | Editing by | Brian Berdan

Starring | John Cena, Ashley Scott, Aidan Gillen, Steve Harris

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Getaway (1994)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV

Starring | Alec Baldwin, Kim Basinger, Michael Madsen, James Woods

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Frozen River (2008)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 97 Minutes

Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams

Starring | Melissa Leo, Misty Upham, Charlie McDermott, Michael O'Keefe

Cameras | Panasonic AJ-HDC27 Varicam Camera

Lenses | Zeiss DigiPrime Lenses

Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

Trouble with the Curve (2012)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Clint Eastwood, Amy Adams, John Goodman, Justin Timberlake

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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