Charlie Winter

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Walking with Dinosaurs 3D | ShotOnWhat?

Senior Lighting Artist: Animal Logic

Walking with Dinosaurs 3D (2013)

Directed by: Barry Cook, Neil Nightingale

Cinematography by: John Brooks

Edited by: John Carnochan

Cameras: Red Epic Camera

Chronicle | ShotOnWhat?

CG Lead: Shade VFX

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

I Am Number Four | ShotOnWhat?

CG Lead: Shade VFX

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Cg Lead: Shade VFX

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Water for Elephants | ShotOnWhat?

Cg Lead: Shade VFX

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Fright Night | ShotOnWhat?

Cg Lead: Shade VFX

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

The Last Song | ShotOnWhat?

Visual Effects

The Last Song (2010)

Directed by: Julie Anne Robinson

Cinematography by: John Lindley

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 Camera

When in Rome | ShotOnWhat?

Visual Effects Artist

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Men Who Stare at Goats | ShotOnWhat?

Cg Artist: CIS Hollywood

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Invictus | ShotOnWhat?

Visual Effects Group: CIS Hollywood

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Red Cliff | ShotOnWhat?

Lighting Technical Director: CafeFX

Red Cliff (2008)

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Robert A. Ferretti, Angie Lam, Hongyu Yang

Nim's Island | ShotOnWhat?

Look Development Artist: CafeFX

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

The Simpsons Movie | ShotOnWhat?

CG Artist

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Kung Pow: Enter the Fist | ShotOnWhat?

Visual Effects

Kung Pow: Enter the Fist (2002)

Directed by: Steve Oedekerk

Cinematography by: John J. Connor

Edited by: Paul Marshal

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