Svp Theatrical Services
Vox Lux (2018)
Directed by: Brady Corbet
Cinematography by: Lol Crawley
Edited by: Matthew Hannam
Cameras: ARRICAM Lite (LT) Camera
Senior Vice President Theatrical Services
The Beguiled (2017)
Directed by: Sofia Coppola
Cinematography by: Philippe Le Sourd
Edited by: Sarah Flack
Cameras: ARRICAM Lite (LT) Camera
Senior Vice President: Theatrical Services
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Title Manager: Technicolor
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Account Executive: Technicolor Postworks NY
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Key Account Project Manager: Technicolor
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Senior Dailies Producer
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Digital Intermediate Key Account Project Manager
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Digital Intermediate Executive
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Post-production Supervisor: Technicolor
In the Name of the Son (2007)
Directed by: Harun Mehmedinovic
Cinematography by: Jason Raswant
Edited by: Tyler Earring
Post-production Supervisor
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Post-production Supervisor
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Associate Producer, Post-production Supervisor
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Post Production Executive
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Executive In Charge Of Post-production
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Executive In Charge Of Post-production
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Post-production Supervisor
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Post-production Supervisor
Fall Time (1995)
Directed by: Paul Warner
Cinematography by: Mark J. Gordon
Edited by: Steven Nevius
Executive In Charge Of Production
Mission of the Shark: The Saga of the U.S.S. Indianapolis (1991)
Directed by: Robert Iscove
Cinematography by: James Pergola
Edited by: Susan B. Browdy
Post-production Supervisor
Space Raiders (1983)
Directed by: Howard R. Cohen
Cinematography by: Alec Hirschfeld
Post-production Supervisor
Android (1982)
Directed by: Aaron Lipstadt
Cinematography by: Tim Suhrstedt
Edited by: Andy Horvitch
Cameras: ARRI Cameras
Assistant Editor
Galaxy of Terror (1981)
Directed by: Bruce D. Clark
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
