Digital Intermediate Editor
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Digital Intermediate Editor
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Digital Intermediate Editor
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Finishing Conform Editor
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Intermediate Editor
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Editor
Insidious: Chapter 3 (2015)
Directed by: Leigh Whannell
Cinematography by: Brian Pearson
Edited by: Timothy Alverson
Cameras: Sony PMW-F55 Camera
Digital Intermediate Editor
Insidious: Chapter 2 (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Digital Intermediate Editor
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Intermediate Editor
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Digital Intermediate Editor
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Digital Intermediate Editor
Hesher (2010)
Directed by: Spencer Susser
Cinematography by: Morgan Susser
Digital Intermediate Editor
Diary of a Wimpy Kid (2010)
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Color Timer
12 Rounds (2009)
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Color Timer
Tenure (2008)
Directed by: Mike Million
Cinematography by: Steve Yedlin
Edited by: Tom McArdle
Color Timer
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Color Timer: Fotokem Digital Film Services
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Color Timer
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Color Timer
X's & O's (2007)
Directed by: Kedar Korde
Cinematography by: Royce Allen Dudley
Edited by: Chris W. Hill
Color Timer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Color Timer
The Dog Problem (2006)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Jeffrey M. Werner
Color Timer
Brick (2005)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Rian Johnson
Color Timer
Conversations with Other Women (2005)
Directed by: Hans Canosa
Cinematography by: Steve Yedlin
Edited by: Hans Canosa
Film Color Timer: Fotokem
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Color Timer
Dead Birds (2004)
Directed by: Alex Turner
Cinematography by: Steve Yedlin
Edited by: Brian Anton
Color Timer
Employee of the Month (2004)
Directed by: Mitch Rouse
Cinematography by: John Peters
Edited by: Hughes Winborne
Color Timer
Lost in Translation (2003)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Cameras: Aaton 35-III Camera, Moviecam Compact Camera
Lenses: Angenieux Lenses, Zeiss Super Speed Lenses
Color Timer
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Color Timer
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Color Timer
Secretary (2002)
Directed by: Steven Shainberg
Cinematography by: Steven Fierberg
Edited by: Pam Wise
Color Timer
Outta Time (2002)
Directed by: Lorena David
Cinematography by: Lisa Wiegand
Edited by: Allan Spencer Wall
Color Timer
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Color Timer
Narc (2002)
Directed by: Joe Carnahan
Cinematography by: Alex Nepomniaschy
Edited by: John Gilroy
Lenses: Zeiss Super Speed Lenses
Color Timer
Morgan's Ferry (2001)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Color Timer
Cabin by the Lake (2000)
Directed by: Po-Chih Leong
Cinematography by: Philip Linzey
Edited by: Darren Kloomok
Cameras: Panavision Cameras
Color Timer
Panic (2000)
Directed by: Henry Bromell
Cinematography by: Jeffrey Jur
Cameras: Panavision Cameras
Color Timer
Girl (1998)
Directed by: Jonathan Kahn
Cinematography by: Tami Reiker
Edited by: Gillian L. Hutshing
Color Timer
Billy's Hollywood Screen Kiss (1998)
Directed by: Tommy O'Haver
Cinematography by: Mark Mervis
Edited by: Jeff Betancourt
Cameras: Panavision Silent Reflex PSR Camera
Color Timer
Gunshy (1998)
Directed by: Jeff Celentano
Cinematography by: John B. Aronson
Edited by: Andy Horvitch
Color Timer
The Ripper (1997)
Directed by: Janet Meyers
Cinematography by: Martin McGrath
Edited by: Elba Sanchez-Short
Color Timer
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Color Timer
Coldblooded (1995)
Directed by: Wallace Wolodarsky
Cinematography by: Robert D. Yeoman
Edited by: Craig Bassett
Color Timer
Friday (1995)
Directed by: F. Gary Gray
Cinematography by: Gerry Lively
Edited by: John Carter
Color Timer
Love and a .45 (1994)
Directed by: C.M. Talkington
Cinematography by: Tom Richmond
Edited by: Bob Ducsay
Color Timer
Treacherous (1993)
Directed by: Kevin Brodie
Cinematography by: Leo J. Napolitano
Edited by: Duncan Burns
