Pascal Laflamme

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Knights of the Roundtable: King Arthur | ShotOnWhat?

Lead Layout Artist: MPC

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Ghost in the Shell | ShotOnWhat?

Layout Artist: MPC

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Pan | ShotOnWhat?

Layout Artist: MPC

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

The Revenant | ShotOnWhat?

Lead Layout Artist: MPC

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Motion Capture Technician: Modus FX

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Riddick | ShotOnWhat?

Motion Tracking & Layout: Modus FX

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Data Wrangler: Modus FX

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Mirror Mirror | ShotOnWhat?

Motion Tracking: Modus FX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Source Code | ShotOnWhat?

Technical Director: Layout, Modus FX

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Jane Eyre | ShotOnWhat?

Td Tracking And Layout: Modus FX

Jane Eyre (2011)

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Immortals | ShotOnWhat?

Render Wrangler: Modus FX / Td Layout: Modus FX

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Barney's Version | ShotOnWhat?

Data Wrangler: Modus FX

Barney's Version (2010)

Directed by: Richard J. Lewis

Cinematography by: Guy Dufaux

Edited by: Susan Shipton

Cameras: ARRIFLEX Camera

The American | ShotOnWhat?

Data Wrangler: Modus FX

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Super | ShotOnWhat?

Td Layout: Modus FX

Super (2010)

Directed by: James Gunn

Cinematography by: Steve Gainer

Edited by: Cara Silverman

Cameras: Red One Camera

Editing System: Avid Editing System

Mr. Nobody | ShotOnWhat?

Visual Effects: Modus FX

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

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