Austin Alward

19 Titles

Is this you? Add a Profile

Causeway | ShotOnWhat?

Camera Operator: "b" Camera

Causeway (2022)

Directed by: Lila Neugebauer

Cinematography by: Diego García

Edited by: Robert Frazen, Lucian Johnston

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision H Series Lenses

The Beguiled | ShotOnWhat?

First Assistant Camera: "b" Camera

The Beguiled (2017)

Directed by: Sofia Coppola

Cinematography by: Philippe Le Sourd

Edited by: Sarah Flack

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Logan | ShotOnWhat?

First Assistant Camera: Additional

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Bad Moms | ShotOnWhat?

First Assistant Photographer: "c" Camera

Bad Moms (2016)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Jim Denault

Edited by: Emma E. Hickox, James Thomas

Keanu | ShotOnWhat?

First Assistant Camera: B Camera

Keanu (2016)

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Pitch Perfect 2 | ShotOnWhat?

First Assistant Camera: Additional

Pitch Perfect 2 (2015)

Directed by: Elizabeth Banks

Cinematography by: Jim Denault

Edited by: Craig Alpert

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Get on Up | ShotOnWhat?

First Assistant Camera: Additional

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Homefront | ShotOnWhat?

A Camera Second Assistant: Second Unit

Homefront (2013)

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

2 Guns | ShotOnWhat?

Second Assistant Camera: "a" Camera, Second Unit, New Orleans

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Oldboy | ShotOnWhat?

Second Assistant Camera: Additional

Oldboy (2013)

Directed by: Spike Lee

Cinematography by: Sean Bobbitt

Edited by: Barry Alexander Brown

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System

The Butler | ShotOnWhat?

First Assistant Camera: Additional

The Butler (2013)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Second Assistant Camera: "a" Camera, Reshoots

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Now You See Me | ShotOnWhat?

Second Assistant Camera: "c" Camera, Second Unit

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Beautiful Creatures | ShotOnWhat?

Second Assistant Camera: "a" Camera

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Additional First Assistant Camera

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

21 Jump Street | ShotOnWhat?

Second Assistant Camera: "b" Camera, Second Unit

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

The Paperboy | ShotOnWhat?

Second Assistant Camera: "blue" Camera

The Paperboy (2012)

Directed by: Lee Daniels

Cinematography by: Roberto Schaefer

Edited by: Joe Klotz

Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Killing Them Softly | ShotOnWhat?

Additional First Assistant Camera

Killing Them Softly (2012)

Directed by: Andrew Dominik

Cinematography by: Greig Fraser

Edited by: John Paul Horstmann, Brian A. Kates

Cameras: Pan-Arri 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision HS50 50 mm T1.1 Lens

Collaborator | ShotOnWhat?

First Assistant Camera: "b" Camera, Los Angeles

Collaborator (2011)

Directed by: Martin Donovan

Cinematography by: Julie Kirkwood

Edited by: Karen Porter

©2012 - 2025 ShotOnWhat?

20254.20