Marc Karzen

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21 Bridges | ShotOnWhat?

Social Strategist

21 Bridges (2019)

Directed by: Brian Kirk

Cinematography by: Paul Cameron

Edited by: Tim Murrell

Cameras: ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Knights of the Roundtable: King Arthur | ShotOnWhat?

Social Strategist

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Fast 8 | ShotOnWhat?

Social Strategist

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Doctor Strange | ShotOnWhat?

Social Strategist

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Lights Out | ShotOnWhat?

Social Strategist

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

War Dogs | ShotOnWhat?

Social Strategist

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Social Strategist

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Passengers | ShotOnWhat?

Social Strategist

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Pan | ShotOnWhat?

Social Strategist

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Let's Be Cops | ShotOnWhat?

Social Strategist

Let's Be Cops (2014)

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Furious 6 | ShotOnWhat?

Social Strategist

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Blue Chips | ShotOnWhat?

Motion Graphics

Blue Chips (1994)

Directed by: William Friedkin

Cinematography by: Tom Priestley Jr.

Edited by: Robert K. Lambert, David Rosenbloom

Clear and Present Danger | ShotOnWhat?

Motion Graphics

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

The Little Rascals | ShotOnWhat?

Motion Graphics

The Little Rascals (1994)

Directed by: Penelope Spheeris

Cinematography by: Richard Bowen

Edited by: Ross Albert, Peter Teschner

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