Patrick Bissonnette

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Riddick | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

This Is the End | ShotOnWhat?

Visual Effects VP: Modus FX

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Parker | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Parker (2013)

Directed by: Taylor Hackford

Cinematography by: James M. Muro

Edited by: Mark Warner

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Avengers | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Mirror Mirror | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Big Miracle | ShotOnWhat?

Vfx Financial Controller: Modus FX

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Source Code | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Jane Eyre | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Jane Eyre (2011)

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Immortals | ShotOnWhat?

Vfx Financial Controller: Modus FX

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Vfx Financial Controller: Modus FX

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Super | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Super (2010)

Directed by: James Gunn

Cinematography by: Steve Gainer

Edited by: Cara Silverman

Cameras: Red One Camera

Editing System: Avid Editing System

Jonah Hex | ShotOnWhat?

VFX Financial Controller: Modus FX

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Arctic Blast | ShotOnWhat?

Visual Effects Line Producer

Arctic Blast (2010)

Directed by: Brian Trenchard-Smith

Cinematography by: Marc Windon

Edited by: Robert E. Newton

The American | ShotOnWhat?

Visual Effects Financial Controller: Modus FX / Visual Effects Line Producer

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Barney's Version | ShotOnWhat?

Visual Effects Financial Controller: Modus FX

Barney's Version (2010)

Directed by: Richard J. Lewis

Cinematography by: Guy Dufaux

Edited by: Susan Shipton

Cameras: ARRIFLEX Camera

Mr. Nobody | ShotOnWhat?

Visual Effects: Modus FX

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Chi bi Part II: Jue zhan tian xia | ShotOnWhat?

Visual Effect Financial Controller: Modus FX

Chi bi: Jue zhan tian xia (2009)

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Angie Lam, David Wu, Hongyu Yang

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