Production Mixer
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Sound Mixer
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Production Sound Mixer
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Sound Mixer
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Sound Mixer
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Sound Mixer
Cop Out (2010)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Sound Mixer
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Little Manhattan (2005)
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Sound Mixer
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Sound Mixer
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Sound Mixer: New York
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Sound Mixer
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Sound Mixer: New York
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Sound Mixer
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Sound
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Production Sound Mixer
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Sound Mixer: Atlantic City
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Sound Mixer: New York
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Sound
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Sound Mixer
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Production Sound Mixer
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Sound Mixer
Mixed Nuts (1994)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Production Sound Mixer
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Sound Mixer: New York
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Production Sound Mixer
Manhattan Murder Mystery (1993)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Production Sound Mixer
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Sound Mixer: Jamaica
Prelude to a Kiss (1992)
Directed by: Norman René
Cinematography by: Stefan Czapsky
Edited by: Stephen A. Rotter
Production Sound Mixer
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Production Sound Mixer
Husbands and Wives (1992)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Sound Mixer
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Sound Mixer: New York
Frankie and Johnny (1991)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Sound Mixer: New York
Deceived (1991)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Production Sound Mixer
Shadows and Fog (1991)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Production Sound Mixer
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Production Sound Mixer
Alice (1990)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Production Sound Mixer
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Production Sound Mixer
Crimes and Misdemeanors (1989)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Production Sound Mixer
Black Rain (1989)
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Production Sound Mixer
Another Woman (1988)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Sound Mixer
Running on Empty (1988)
Directed by: Sidney Lumet
Cinematography by: Gerry Fisher
Edited by: Andrew Mondshein
Sound Mixer: New York
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Sound Mixer
Happy New Year (1987)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: Jane Kurson
Production Sound Mixer
September (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Sound Mixer
Orphans (1987)
Directed by: Alan J. Pakula
Cinematography by: Donald McAlpine
Edited by: Evan A. Lottman
Production Sound Mixer
Radio Days (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Sound Mixer
The Secret of My Success (1987)
Directed by: Herbert Ross
Cinematography by: Carlo Di Palma
Edited by: Paul Hirsch
Production Sound Mixer
Heartburn (1986)
Directed by: Mike Nichols
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Production Sound Mixer
The Purple Rose of Cairo (1985)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Sound Mixer
The Pope of Greenwich Village (1984)
Directed by: Stuart Rosenberg
Cinematography by: John Bailey
Edited by: Robert Brown
Production Sound Mixer
Broadway Danny Rose (1984)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Production Sound Mixer
Zelig (1983)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Sound Mixer
Trading Places (1983)
Directed by: John Landis
Cinematography by: Robert Paynter
Edited by: Malcolm Campbell
Sound Mixer: USA
Exposed (1983)
Directed by: James Toback
Cinematography by: Henri Decaë
Edited by: Robert Lawrence
Cameras: Panavision Cameras
Sound Mixer: New York
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Production Sound Mixer
A Midsummer Night's Sex Comedy (1982)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Sound Mixer
The Verdict (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Peter C. Frank
Cameras: Panavision Cameras
Sound Mixer
Deathtrap (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Sound Mixer
Prince of the City (1981)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Cameras: Panavision Cameras
Sound Mixer
Just Tell Me What You Want (1980)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Jack Fitzstephens
Sound Mixer
Stardust Memories (1980)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Manhattan (1979)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Production Sound Mixer
Going in Style (1979)
Directed by: Martin Brest
Cinematography by: Billy Williams
Sound Mixer
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Sound Mixer
Equus (1977)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: John Victor Smith
Sound: New York
The Goodbye Girl (1977)
Directed by: Herbert Ross
Cinematography by: David M. Walsh
Edited by: John F. Burnett
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Sound Mixer
Annie Hall (1977)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Dog Day Afternoon (1975)
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Serpico (1973)
Directed by: Sidney Lumet
Cinematography by: Arthur J. Ornitz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Across 110th Street (1972)
Directed by: Barry Shear
Cinematography by: Jack Priestley
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
Sound Recordist
The Gang That Couldn't Shoot Straight (1971)
Directed by: James Goldstone
Cinematography by: Owen Roizman
Edited by: Edward A. Biery
Cameras: Panavision Cameras
