Tailor
CODA (2021)
Directed by: Sian Heder
Cinematography by: Paula Huidobro
Edited by: Geraud Brisson
Cameras: Sony CineAlta VENICE Camera
Lenses: ARRI Signature Prime Lenses
Stitcher
Slender Man (2018)
Directed by: Sylvain White
Cinematography by: Luca Del Puppo
Edited by: Jake York
Cameras: Sony PMW-F55 Camera, Sony α7S II Camera
Seamstress
Thoroughbreds (2017)
Directed by: Cory Finley
Cinematography by: Lyle Vincent
Edited by: Louise Ford
Cameras: ARRI ALEXA Mini Camera
Stitcher
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Stitcher
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Stitcher
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Stitcher
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Draper
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Draper
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Draper, Tailor
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Draper, Stitcher
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Stitcher
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Stitcher
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
