Surfacing Supervisor
Nimona (2023)
Digital Artist: Double Negative
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Paint Artist: Double Negative
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Senior Texture Artist
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Senior Texture Artist: Double Negative
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Senior Texture Artist
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Senior Texture Artist
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Senior Texture Artist
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Senior Texture Artist: Digital Domain Vancouver / Senior Texture Artist: MPC Vancouver
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Senior Texture Painter
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Senior Texture Artist
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Senior Texture Artist: Cinesite London
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Senior Texture Artist: MPC Vancouver
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Cg Artist: CIS Vancouver
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Previz Animator
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Lead Texture Artist: SPIN VFX
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Lighting: Rainmaker
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Animator: Atmosphere Feature Effects
Air Buddies (2006)
Directed by: Robert Vince
Cinematography by: Mike Southon
