Re-recording Mixer
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Re-recording Mixer
Le dernier loup (2015)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Reynald Bertrand
Re-recording Mixer
Les vacances du petit Nicolas (2014)
Directed by: Laurent Tirard
Cinematography by: Denis Rouden
Edited by: Valérie Deseine
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Re-recording Mixer
Supercondriaque (2014)
Directed by: Dany Boon
Cinematography by: Romain Winding
Edited by: Monica Coleman
Re-recording Mixer
L'homme qu'on aimait trop (2014)
Directed by: André Téchiné
Cinematography by: Julien Hirsch
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Camera
Co-sound Re-recording Mixer
Respire (2014)
Directed by: Mélanie Laurent
Cinematography by: Arnaud Potier
Edited by: Guerric Catala
Cameras: ARRI ALEXA Camera
Re-recording Mixer
9 mois ferme (2013)
Directed by: Albert Dupontel
Cinematography by: Vincent Mathias
Edited by: Christophe Pinel
Cameras: Red Epic Camera
Re-recording Mixer
Casse-tête chinois (2013)
Directed by: Cédric Klapisch
Cinematography by: Natasha Braier
Edited by: Anne-Sophie Bion
Re-recording Mixer
Thérèse (2012)
Directed by: Claude Miller
Cinematography by: Gérard de Battista
Edited by: Véronique Lange
Cameras: ARRI ALEXA Camera
Re-recording Mixer
À coeur ouvert (2012)
Directed by: Marion Laine
Cinematography by: Antoine Héberlé
Edited by: Mathilde Van de Moortel
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Co-sound Re-recording Mixer
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Re-recording Mixer
Un bonheur n'arrive jamais seul (2012)
Directed by: James Huth
Cinematography by: Stéphane Le Parc
Edited by: Joëlle Hache
Adr/foley Mixer / Re-recording Mixer
Forces spéciales (2011)
Directed by: Stéphane Rybojad
Cinematography by: David Jankowski
Cameras: ARRI ALEXA Camera
Foley Mixer
L'ordre et la morale (2011)
Directed by: Mathieu Kassovitz
Cinematography by: Marc Koninckx
Re-recording Mixer
My Piece of the Pie (2011)
Directed by: Cédric Klapisch
Cinematography by: Christophe Beaucarne
Edited by: Francine Sandberg
Foley Recordist
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
Je n'ai rien oublié (2010)
Directed by: Bruno Chiche
Cinematography by: Thomas Hardmeier
Edited by: Marion Monnier
Re-recording Mixer
Miral (2010)
Directed by: Julian Schnabel
Cinematography by: Eric Gautier
Edited by: Juliette Welfling
Re-recording Mixer
Espion(s) (2009)
Directed by: Nicolas Saada
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera
Foley Mixer
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Foley Mixer
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Assistant Sound Mixer
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
Re-recording Mixer
Room of Death (2007)
Directed by: Alfred Lot
Cinematography by: Jérôme Alméras
Edited by: Maryline Monthieux
Foley Engineer , Foley Recordist
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Foley Engineer
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Foley Engineer / Re-recording Mixer
A Crime (2006)
Directed by: Manuel Pradal
Cinematography by: Giorgos Arvanitis
Edited by: Jennifer Augé
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Assistant Sound Recordist
Bon voyage (2003)
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
Cameras: Panavision Cameras