Visual Effects Producer / Visual Effects Producer: The-Artery
Measure of a Man (2018)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRI ALEXA Camera
Visual Effects Head Of Production
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Visual Effects Head Of Production: The-Artery
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Visual Effects Producer: The Artery
Vox Lux (2018)
Directed by: Brady Corbet
Cinematography by: Lol Crawley
Edited by: Matthew Hannam
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Producer
'Billions' The Kingmaker (2017)
Directed by: Oliver Hirschbiegel
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Visual Effects Head Of Production: The-artery
The Babysitter (2017)
Directed by: McG
Cinematography by: Shane Hurlbut
Cameras: Red Weapon Dragon Camera
Visual Effects Producer
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Visual Effects Producer - 2 Episodes, 2017
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Visual Effects Producer
Exposed (2016)
Directed by: Gee Malik Linton
Cinematography by: Trevor Forrest
Edited by: Melody London
Cameras: ARRI ALEXA Camera
Visual Effects Producer: The Artery VFX
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Additional Visual Effects Producer: The Artery VFX
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Visual Effects Producer
Kelly & Cal (2014)
Directed by: Jen McGowan
Cinematography by: Philip Lott
Edited by: David Hopper
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Series Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Production Coordinator: The Artery VFX
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
