First Assistant Director: Second Unit
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
First Assistant Director: Additional Unit
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Director: Second Unit
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
First Assistant Director
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
First Assistant Director: Second Unit
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
First Assistant Director: Additional Photography, Vancouver
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
First Assistant Director
A Christmas Carol: The Musical (2004)
Directed by: Arthur Allan Seidelman
Cinematography by: Hanania Baer
Edited by: Bert Glatstein
First Assistant Director
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
First Assistant Director: Second Unit
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
First Assistant Director
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
