Music Supervisor
Pearl (2022)
Directed by: Ti West
Cinematography by: Eliot Rockett
Edited by: Ti West
Cameras: Sony CineAlta VENICE Camera
Music Supervisor
Marcel the Shell with Shoes On (2021)
Directed by: Dean Fleischer Camp
Cameras: ARRI ALEXA Mini Camera, Sony PMW-F5 Camera
Music Consultant
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Music Supervisor
Waves (2019)
Directed by: Trey Edward Shults
Cinematography by: Drew Daniels
Cameras: ARRI ALEXA Mini Camera
Music Supervisor
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Music Supervisor
Eighth Grade (2018)
Directed by: Bo Burnham
Cinematography by: Andrew Wehde
Edited by: Jennifer Lilly
Cameras: Red Helium 8K Camera
Music Supervisor
Hereditary (2018)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Cameras: ARRI ALEXA Mini Camera
Music Creative Consultant
Room (2015)
Directed by: Lenny Abrahamson
Cinematography by: Danny Cohen
Edited by: Nathan Nugent
Cameras: Red Epic Dragon Camera
Music Supervisor
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Music Supervisor
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Music Supervisor
California Solo (2012)
Directed by: Marshall Lewy
Cinematography by: James Laxton
Edited by: Alex Jablonski
Music Supervisor
Beasts of the Southern Wild (2012)
Directed by: Benh Zeitlin
Cinematography by: Ben Richardson
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Music Supervisor
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Additional Music Consultant
Natural Selection (2011)
Directed by: Robbie Pickering
Cinematography by: Steven Capitano Calitri
Edited by: Michelle Tesoro
Music Supervisor
Return (2011)
Directed by: Liza Johnson
Cinematography by: Anne Etheridge
Edited by: Paul Zucker
Cameras: ARRIFLEX 416 Camera
Lenses: Cooke S4 Lenses
Music Supervisor
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Music Supervisor
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Music Supervisor
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Music Supervisor
Prince of Broadway (2008)
Directed by: Sean Baker
Cinematography by: Sean Baker
Edited by: Sean Baker
Cameras: Panasonic AG-HVX200 Camera, Panasonic Cameras
Music Supervisor
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Music Clearances
Towelhead (2007)
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir
Music Supervisor
Brick (2005)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Rian Johnson
