Alice Rowlinson

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Vampire Academy | ShotOnWhat?

Base Third Assistant Director

Vampire Academy (2014)

Directed by: Mark Waters

Cinematography by: Tony Pierce-Roberts

Edited by: Chris Gill

Cameras: ARRI ALEXA Camera

Kingsman: The Secret Service | ShotOnWhat?

Third Assistant Director: Base

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Creatures Production Assistant

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Thor: The Dark World | ShotOnWhat?

Base Third Assistant Director: Second Unit

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Jack the Giant Slayer | ShotOnWhat?

Crowd Production Assistant

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Booked Out | ShotOnWhat?

Third Assistant Director

Booked Out (2012)

Directed by: Bryan O'Neil

Cinematography by: Jordan Cushing

Edited by: Faisel N. Butt, Tom Werber

Snow White and the Huntsman | ShotOnWhat?

Set Production Assistant

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Base Runner: Second Unit

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hugo | ShotOnWhat?

Crowd Production Assistant

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Episodes | ShotOnWhat?

Additional Floor Runner: Dailies - 2 Episodes, 2011

Episodes (2011)

Television Series

Directed by: Iain B. MacDonald, Jim Field Smith, James Griffiths, Jeffrey Klarik

Cinematography by: Rob Kitzmann

Edited by: Nigel Williams, Gary Evans

Cameras: ARRI ALEXA Camera

"Episodes" Episode Two | ShotOnWhat?

Additional Floor Runner: Dailies

'Episodes' Episode Two (2011)

Television Episode

Directed by: James Griffiths

Cinematography by: Rob Kitzmann

Edited by: Nigel Williams

"Episodes" Episode One | ShotOnWhat?

Additional Floor Runner: Dailies

'Episodes' Episode One (2011)

Television Episode

Directed by: James Griffiths

Cinematography by: Rob Kitzmann

Edited by: Nigel Williams

StreetDance 3D | ShotOnWhat?

Assistant Crowd Coordinator

StreetDance 3D (2010)

Directed by: Max Giwa, Dania Pasquini

Cinematography by: Sam McCurdy

Edited by: Tim Murrell

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