L. La Mar Stewart

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Blindspotting | ShotOnWhat?

Assistant Director

Blindspotting (2018)

Directed by: Carlos López Estrada

Cinematography by: Robby Baumgartner

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

"13 Reasons Why" Tape 1, Side A | ShotOnWhat?

Set Production Assistant

'13 Reasons Why' Tape 1, Side A (2017)

Television Episode

Directed by: Tom McCarthy

Cinematography by: Andrij Parekh

Edited by: Leo Trombetta

"13 Reasons Why" Tape 2, Side B | ShotOnWhat?

Set Production Assistant

'13 Reasons Why' Tape 2, Side B (2017)

Television Episode

Directed by: Helen Shaver

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 2, Side A | ShotOnWhat?

Set Production Assistant

'13 Reasons Why' Tape 2, Side A (2017)

Television Episode

Directed by: Helen Shaver

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 1, Side B | ShotOnWhat?

Set Production Assistant

'13 Reasons Why' Tape 1, Side B (2017)

Television Episode

Directed by: Tom McCarthy

Cinematography by: Andrij Parekh

Edited by: Leo Trombetta

13 Reasons Why | ShotOnWhat?

Set Production Assistant - 4 Episodes, 2017

13 Reasons Why (2017)

Television Series

Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer

Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams

Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras: Panasonic VariCam 35

Lenses: Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Swiss Army Man | ShotOnWhat?

Second Assistant Director

Swiss Army Man (2016)

Directed by: Daniel Kwan, Daniel Scheinert

Cinematography by: Larkin Seiple

Edited by: Matthew Hannam

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses

San Andreas | ShotOnWhat?

Production Assistant

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Big Sur | ShotOnWhat?

Set Production Assistant

Big Sur (2013)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: Geraud Brisson, Robert Frazen

Cameras: Red Epic Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Fruitvale Station | ShotOnWhat?

Second Second Assistant Director

Fruitvale Station (2013)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

After Earth | ShotOnWhat?

Production Assistant: Eureka, CA

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

On the Road | ShotOnWhat?

Set Production Assistant: San Francisco

On the Road (2012)

Directed by: Walter Salles

Cinematography by: Eric Gautier

Edited by: François Gédigier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

Rise of the Planet of the Apes | ShotOnWhat?

Production Assistant: San Francisco

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Contagion | ShotOnWhat?

Production Assistant: San Francisco / Set Production Assistant: San Francisco

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Friendship! | ShotOnWhat?

Production Assistant

Friendship! (2010)

Directed by: Markus Goller

Cinematography by: Ueli Steiger

Edited by: Markus Goller, Olivia Retzer

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Seducing Charlie Barker | ShotOnWhat?

First Assistant Director

Seducing Charlie Barker (2010)

Directed by: Amy Glazer

Cinematography by: Jim Orr

Edited by: Aidria Astravas, Jordan Ceccarelli, Rick LeCompte

Archie's Final Project | ShotOnWhat?

Production Assistant

Archie's Final Project (2009)

Directed by: David Lee Miller

Cinematography by: Angie Hill, Lisa Wiegand

Edited by: Jordan J. Miller, Gabriel Sunday

Cameras: Panasonic AJ-SDX900 Camera

Milk | ShotOnWhat?

Production Assistant

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

The Heartbreak Kid | ShotOnWhat?

Production Assistant

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

War | ShotOnWhat?

Production Assistant

War (2007)

Directed by: Philip G. Atwell

Cinematography by: Pierre Morel

Edited by: Scott Richter

The Pursuit of Happyness | ShotOnWhat?

Production Assistant

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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