Score Mixer
Society of the Snow (2023)
Directed by: J.A. Bayona
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Score Recording
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Recorded And Mixed By
Argentina, 1985 (2022)
Directed by: Santiago Mitre
Cinematography by: Javier Julia
Edited by: Andrés Pepe Estrada
Cameras: ARRI ALEXA Mini LF Camera
Music Editor / Score Mixer
'Grand Army' Brooklyn, 2020 (2020)
Directed by: So Yong Kim
Cinematography by: Ava Berkofsky
Edited by: JoAnne Yarrow
Music Editor / Score Mixer
'Grand Army' Freedom (2020)
Directed by: Clement Virgo
Cinematography by: Andrew Wehde
Music Editor / Score Mixer
'Grand Army' Spirit Day (2020)
Directed by: Silas Howard
Cinematography by: Autumn Eakin
Music Editor / Score Mixer
'Grand Army' Making Moves (2020)
Directed by: Silas Howard
Cinematography by: Autumn Eakin
Music Editor / Score Mixer
'Grand Army' Superman This Shit (2020)
Directed by: Tina Mabry
Cinematography by: Ava Berkofsky
Music Editor / Score Mixer
'Grand Army' Valentine's Day (2020)
Directed by: Tina Mabry
Cinematography by: Ava Berkofsky
Music Editor / Score Mixer
'Grand Army' Safety On (2020)
Directed by: Darnell Martin
Cinematography by: Bobby Shore
Edited by: Fabienne Bouville
Music Editor / Score Mixer
'Grand Army' Relationship Goals (2020)
Directed by: Darnell Martin
Cinematography by: Bobby Shore
Edited by: Fabienne Bouville
Music Editor / Score Mixer
'Grand Army' See Me (2020)
Directed by: So Yong Kim
Cinematography by: Ava Berkofsky
Edited by: JoAnne Yarrow
Synth Programmer
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Music Editor
Coco (2017)
Music Editor
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Music Editor
'Bloodline' Part 27 (2017)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Dorian Harris
Music Editor
'Bloodline' Part 33 (2017)
Directed by: Todd A. Kessler
Cinematography by: Jaime Reynoso
Music Editor
'Bloodline' Part 32 (2017)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Justin Krohn
Music Editor
'Bloodline' Part 31 (2017)
Directed by: David Manson
Cinematography by: Jaime Reynoso
Edited by: Ravi Subramanian
Music Editor
'Bloodline' Part 30 (2017)
Directed by: Michael Apted
Cinematography by: Jaime Reynoso
Edited by: Dorian Harris
Music Editor
'Bloodline' Part 29 (2017)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Justin Krohn
Music Editor
'Bloodline' Part 28 (2017)
Directed by: Mario Van Peebles
Cinematography by: Jaime Reynoso
Edited by: Ravi Subramanian
Music Editor
'Bloodline' Part 26 (2017)
Directed by: Mario Van Peebles
Cinematography by: Jaime Reynoso
Edited by: Justin Krohn
Music Editor
'Bloodline' Part 25 (2017)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Ravi Subramanian
Music Editor
'Bloodline' Part 24 (2017)
Directed by: Todd A. Kessler
Cinematography by: Jaime Reynoso
Edited by: Dorian Harris
Music Editor
'Bloodline' Part 16 (2016)
Directed by: Jean de Segonzac
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Music Editor
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Assistant Music Editor
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Music Editor
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Music Editor
'Bloodline' Part 14 (2016)
Directed by: Ed Bianchi
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Music Editor
'Bloodline' Part 15 (2016)
Directed by: Michael Morris
Cinematography by: Jaime Reynoso
Edited by: Lynne Willingham
Music Editor
'Bloodline' Part 17 (2016)
Directed by: Daniel Zelman
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Music Editor
'Bloodline' Part 18 (2016)
Directed by: Dennie Gordon
Cinematography by: Jaime Reynoso
Edited by: Lynne Willingham
Music Editor
'Bloodline' Part 19 (2016)
Directed by: Stephen Williams
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Music Editor
'Bloodline' Part 20 (2016)
Directed by: Todd A. Kessler
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Music Editor
'Bloodline' Part 21 (2016)
Directed by: Michael Morris
Cinematography by: Jaime Reynoso
Edited by: Lynne Willingham
Music Editor
'Bloodline' Part 22 (2016)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Music Editor
'Bloodline' Part 23 (2016)
Directed by: Daniel Zelman
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Music Editor - 20 Episodes, 2016-2017
Bloodline (2015)
Directed by: Mikael Håfström, Todd A. Kessler, Ed Bianchi, Michael Morris, Jean de Segonzac, Johan Renck, Daniel Zelman, Mario Van Peebles, Daniel Attias, Adam Bernstein, Simon Cellan Jones, Tate Donovan, Carl Franklin, Alex Graves, Dennie Gordon, Stephen Williams, Michael Apted, David Manson
Edited by: Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras: Sony PMW-F55 Camera
Music Editor
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Assistant Music Editor
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Assistant Music Editor
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Music Editor
Flicka 2 (2010)
Directed by: Michael Damian
Cinematography by: Ron Stannett
Edited by: Michael Trent
Music Editor
Christmas in Wonderland (2007)
Directed by: James Orr
Cinematography by: Duane Manwiller
Edited by: Jana Fritsch
