Marco Ferreri

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Transportation Coordinator, Transportation Coordinator: Italy Unit

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Transportation Captain: Sicily

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

House of Gucci | ShotOnWhat?

Transportation Coordinator

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

Wonder Woman | ShotOnWhat?

Transportation Coordinator

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Zoolander 2 | ShotOnWhat?

Crowd Ad

Zoolander 2 (2016)

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Best Offer | ShotOnWhat?

Crowd Marshall

The Best Offer (2013)

Directed by: Giuseppe Tornatore

Cinematography by: Fabio Zamarion

Edited by: Massimo Quaglia

Cameras: ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Zeiss Master Prime Lenses

La grande bellezza | ShotOnWhat?

Crowd Ad / Crowd Marshall

The Great Beauty (2013)

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Io e te | ShotOnWhat?

Crowd Marshall

Io e te (2012)

Directed by: Bernardo Bertolucci

Cinematography by: Fabio Cianchetti

Edited by: Jacopo Quadri

To Rome with Love | ShotOnWhat?

Crowd Marshall

To Rome with Love (2012)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke 5/i Lenses, Cooke Speed Panchro Lenses

Habemus Papam | ShotOnWhat?

Crowd Marshall

We Have a Pope (2011)

Directed by: Nanni Moretti

Cinematography by: Alessandro Pesci

Edited by: Esmeralda Calabria

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Tourist | ShotOnWhat?

Crowd Marshall

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

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