Jean-Christophe Roger

34 Titles

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At Eternity's Gate | ShotOnWhat?

Additional Makeup Artist / Makeup Artist

At Eternity's Gate (2018)

Directed by: Julian Schnabel

Cinematography by: Benoît Delhomme

Edited by: Louise Kugelberg, Julian Schnabel

Cameras: Red Helium (Weapon) 8K

Lenses: Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Pour une femme | ShotOnWhat?

Additional Makeup Artist

Pour une femme (2013)

Directed by: Diane Kurys

Cinematography by: Gilles Henry

Edited by: Sylvie Gadmer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les infidèles | ShotOnWhat?

Additional Makeup Artist

Les infidèles (2012)

Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche

Cinematography by: Guillaume Schiffman

Edited by: Anny Danché, Julien Leloup

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Populaire | ShotOnWhat?

Additional Makeup Artist

Populaire (2012)

Directed by: Régis Roinsard

Cinematography by: Guillaume Schiffman

Edited by: Laure Gardette, Sophie Reine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Farewell, My Queen | ShotOnWhat?

Additional Makeup Artist

Farewell, My Queen (2012)

Directed by: Benoît Jacquot

Cinematography by: Romain Winding

Edited by: Luc Barnier, Nelly Ollivault

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Un bonheur n'arrive jamais seul | ShotOnWhat?

Additional Makeup Artist

Un bonheur n'arrive jamais seul (2012)

Directed by: James Huth

Cinematography by: Stéphane Le Parc

Edited by: Joëlle Hache

Amour | ShotOnWhat?

Additional Makeup Artist

Amour (2012)

Directed by: Michael Haneke

Cinematography by: Darius Khondji

Edited by: Nadine Muse, Monika Willi

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

La délicatesse | ShotOnWhat?

Additional Makeup Artist

La délicatesse (2011)

Directed by: David Foenkinos, Stéphane Foenkinos

Cinematography by: Rémy Chevrin

Edited by: Virginie Bruant

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Le premier homme | ShotOnWhat?

Key Makeup Artist

Le premier homme (2011)

Directed by: Gianni Amelio

Cinematography by: Yves Cape

Edited by: Carlo Simeoni

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Midnight in Paris | ShotOnWhat?

Additional Makeup Artist

Midnight in Paris (2011)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

Hugo | ShotOnWhat?

Additional Makeup Artist: Paris

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

The Intouchables | ShotOnWhat?

Additional Makeup Artist

The Intouchables (2011)

Directed by: Olivier Nakache, Éric Toledano

Cinematography by: Mathieu Vadepied

Edited by: Dorian Rigal-Ansous

Cameras: Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Anamorphic Lenses

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Additional Makeup Artist

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

L'homme qui voulait vivre sa vie | ShotOnWhat?

Additional Makeup Artist

L'homme qui voulait vivre sa vie (2010)

Directed by: Eric Lartigau

Cinematography by: Laurent Dailland

Edited by: Stéphane Garnier, Juliette Welfling

La Rafle | ShotOnWhat?

Additional Makeup Artist

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

Micmacs à tire-larigot | ShotOnWhat?

Makeup Artist

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Additional Makeup Artist

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Additional Makeup Artist

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

The Secret of the Grain | ShotOnWhat?

Key Makeup Artist

The Secret of the Grain (2007)

Directed by: Abdellatif Kechiche

Cinematography by: Lubomir Bakchev

Edited by: Ghalia Lacroix, Camille Toubkis

Cameras: Sony HDW-F900 Camera

Rush Hour 3 | ShotOnWhat?

Makeup Artist

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Les brigades du Tigre | ShotOnWhat?

Makeup Artist

Les brigades du Tigre (2006)

Directed by: Jérôme Cornuau

Cinematography by: Stéphane Cami

Edited by: Brian Schmitt

Double zéro | ShotOnWhat?

Key Makeup Artist

Double zéro (2004)

Directed by: Gérard Pirès

Cinematography by: Denis Rouden

Edited by: Véronique Lange

Ils se marièrent et eurent beaucoup d'enfants | ShotOnWhat?

Personal Key Makeup Artist For Johnny Depp

Ils se marièrent et eurent beaucoup d'enfants (2004)

Directed by: Yvan Attal

Cinematography by: Rémy Chevrin

Edited by: Jennifer Augé

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

A Very Long Engagement | ShotOnWhat?

Makeup Artist

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

The Statement | ShotOnWhat?

Additional Makeup Artist

The Statement (2003)

Directed by: Norman Jewison

Cinematography by: Kevin Jewison

Edited by: Andrew S. Eisen, Stephen E. Rivkin

Bienvenue chez les Rozes | ShotOnWhat?

Key Makeup Artist

Bienvenue chez les Rozes (2003)

Directed by: Francis Palluau

Cinematography by: Romain Winding

Edited by: Véronique Parnet

The Truth About Charlie | ShotOnWhat?

Makeup Artist

The Truth About Charlie (2002)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Suzanne Spangler

Rue des plaisirs | ShotOnWhat?

Assistant Makeup Artist

Rue des plaisirs (2002)

Directed by: Patrice Leconte

Cinematography by: Eduardo Serra

Edited by: Joëlle Hache

CQ | ShotOnWhat?

Assistant Makeup Artist

CQ (2001)

Directed by: Roman Coppola

Cinematography by: Robert D. Yeoman

Edited by: Leslie Jones

Asterix and Obelix vs. Caesar | ShotOnWhat?

Makeup Artist

Asterix and Obelix vs. Caesar (1999)

Directed by: Claude Zidi

Cinematography by: Tony Pierce-Roberts

Edited by: Hervé de Luze, Nicole Saunier

Cameras: Panavision Cameras

Madeline | ShotOnWhat?

Additional Makeup Artist

Madeline (1998)

Directed by: Daisy von Scherler Mayer

Cinematography by: Pierre Aïm

Edited by: Jeffrey Wolf

Ridicule | ShotOnWhat?

Additional Makeup Artist

Ridicule (1996)

Directed by: Patrice Leconte

Cinematography by: Thierry Arbogast

Edited by: Joëlle Hache

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Ready to Wear | ShotOnWhat?

Assistant Makeup Artist

Ready to Wear (1994)

Directed by: Robert Altman

Cinematography by: Jean Lépine, Pierre Mignot

Edited by: Suzy Elmiger, Geraldine Peroni

Chambre à part | ShotOnWhat?

Additional Makeup Artist

Chambre à part (1989)

Directed by: Jacky Cukier

Cinematography by: Yves Angelo

Edited by: Anne Lafarge

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