Michelle A. De Mayo

17 Titles

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Lights Out | ShotOnWhat?

Post Production Accountant

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

Straight Outta Compton | ShotOnWhat?

First Assistant Accountant

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Captain America: The Winter Soldier | ShotOnWhat?

First Assistant Accountant

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Gambler | ShotOnWhat?

First Assistant Accountant

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Bling Ring | ShotOnWhat?

First Assistant Accountant

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Saving Mr. Banks | ShotOnWhat?

First Assistant Accountant

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Amazing Spider-Man | ShotOnWhat?

First Assistant Accountant

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bad Teacher | ShotOnWhat?

First Assistant Accountant

Bad Teacher (2011)

Directed by: Jake Kasdan

Cinematography by: Alar Kivilo

Edited by: Tara Timpone

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Somewhere | ShotOnWhat?

Key First Assistant Accountant

Somewhere (2010)

Directed by: Sofia Coppola

Cinematography by: Harris Savides

Edited by: Sarah Flack

Couples Retreat | ShotOnWhat?

First Assistant Accountant

Couples Retreat (2009)

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Zombieland | ShotOnWhat?

Assistant Accountant: Los Angeles

Zombieland (2009)

Directed by: Ruben Fleischer

Cinematography by: Michael Bonvillain

Edited by: Alan Baumgarten

Cameras: Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Iron Man | ShotOnWhat?

Additional First Assistant Accountant

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Pursuit of Happyness | ShotOnWhat?

Assistant Accountant

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Punisher | ShotOnWhat?

Post-production Accountant / Second Assistant Accountant

The Punisher (2004)

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

Novocaine | ShotOnWhat?

Post-production Accountant

Novocaine (2001)

Directed by: David Atkins

Cinematography by: Vilko Filac

Edited by: Melody London

The Way of the Gun | ShotOnWhat?

Post-production Accountant

The Way of the Gun (2000)

Directed by: Christopher McQuarrie

Cinematography by: Dick Pope

Edited by: Stephen Semel

Stir of Echoes | ShotOnWhat?

Post-production Accountant

Stir of Echoes (1999)

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

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