Annsh Patel

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Dune | ShotOnWhat?

Stereo Producer: DNEG

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

F9 | ShotOnWhat?

Stereo Producer: DNEG Stereo

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

The Predator | ShotOnWhat?

Stereo Production Manager

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Stereo Production Manager: Prime Focus World

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Beauty and the Beast | ShotOnWhat?

Stereo Production Manager

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Ghost in the Shell | ShotOnWhat?

Stereo Production Manager

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Transformers: The Last Knight | ShotOnWhat?

Stereo Production Manager: Prime Focus World

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Production Manager

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

World War Z | ShotOnWhat?

Stereo Production Manager

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Green Lantern | ShotOnWhat?

Post Production Coordinator

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Post Production Coordinator

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Post Production Coordinator

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

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