Second Second Assistant Director
'Ravenswood' Home Is Where the Heart Is (Seriously Check the Floorboards) (2014)
Directed by: Janice Cooke
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Additional Second Assistant Director / Second Second Assistant Director: Second Unit
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Additional Second Assistant Director
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Additional Second Assistant Director / Second Second Assistant Director: Second Unit
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Production Assistant
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Additional Second Assistant Director / Second Second Assistant Director - 6 Episodes, 2014, Production Assistant - 4 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Second Assistant Director: Visual Effects Unit
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Production Assistant , Second Second Assistant Director: Second Unit
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Additional Second Assistant Director
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Additional Second Assistant Director
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Production Assistant , Second Second Assistant Director: Second Unit
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Production Assistant
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Key Set Production Assistant: Second Unit
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Key Set Production Assistant
Hell Baby (2013)
Cinematography by: Charles Papert
Edited by: Kevin Oeser
Cameras: ARRI ALEXA Camera
Production Assistant
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Additional Production Assistant
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Second Second Assistant Director
'Ravenswood' Pilot (2013)
Directed by: Ron Lagomarsino
Edited by: Lois Blumenthal
Second Second Assistant Director
'Ravenswood' Death and the Maiden (2013)
Directed by: Rob Hardy
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Second Second Assistant Director
'Ravenswood' Believe (2013)
Directed by: Ron Lagomarsino
Edited by: Charles Bornstein
Second Second Assistant Director
'Ravenswood' The Devil Has a Face (2013)
Directed by: Arlene Sanford
Cinematography by: Peter B. Kowalski
Edited by: Lois Blumenthal
Second Second Assistant Director
'Ravenswood' Scared to Death (2013)
Directed by: Norman Buckley
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Production Assistant
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Key Set Production Assistant: Reshoots
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Staff Assistant
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Basecamp Production Assistant
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Basecamp Production Assistant
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Base Camp Production Assistant / Basecamp Production Assistant
'Treme' Santa Claus, Do You Ever Get the Blues? (2011)
Directed by: Alex Zakrzewski
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Base Camp Production Assistant / Basecamp Production Assistant
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Basecamp Production Assistant / Set Production Assistant
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Base Camp Production Assistant
'Treme' On Your Way Down (2011)
Directed by: Simon Cellan Jones
Edited by: Alex Hall
Second Unit Production Assistant
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Set Production Assistant: Second Unit
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Basecamp Production Assistant
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Additional Set Production Assistant
Welcome to the Rileys (2010)
Directed by: Jake Scott
Cinematography by: Christopher Soos
Edited by: Nicolas Gaster
Second Unit Production Assistant
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Set Production Assistant
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Basecamp Production Assistant / Base Camp Production Assistant / Set Production Assistant - 5 Episodes, 2011
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Set Production Assistant
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Set Production Assistant
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
