Special Effects Foreman
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Special Effects Technician
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Special Effects
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Special Effects
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Special Effects Foreman: USA
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Special Effects: F/X Concepts, Inc.
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Special Effects
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Special Effects
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Special Effects Technician
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects Technician
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Special Effects
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Special Effects
This Boy's Life (1993)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Special Effects Coordinator
Jaws: The Revenge (1987)
Directed by: Joseph Sargent
Cinematography by: John McPherson
Edited by: Michael Brown
Special Effects
Harry and the Hendersons (1987)
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
Special Effects Assistant
Running Scared (1986)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Special Effects
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Special Effects
Looker (1981)
Directed by: Michael Crichton
Cinematography by: Paul Lohmann
Edited by: Carl Kress
Special Effects
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Special Effects Crew
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Special Effects
Thief (1981)
Directed by: Michael Mann
Cinematography by: Donald E. Thorin
Edited by: Dov Hoenig
Cameras: Panavision Cameras
Special Effects
The Final Countdown (1980)
Directed by: Don Taylor
Cinematography by: Victor J. Kemper
Edited by: Robert K. Lambert
Special Effects
North by Northwest (1959)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Special Effects
Ben-Hur (1959)
Directed by: William Wyler
Cinematography by: Robert Surtees
Cameras: MGM Camera 65 Camera
Special Effects
The Wreck of the Mary Deare (1959)
Directed by: Michael Anderson
Cinematography by: Joseph Ruttenberg
Edited by: Eda Warren
Special Effects
The Buccaneer (1958)
Directed by: Anthony Quinn
Cinematography by: Loyal Griggs
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Special Effects
The King and I (1956)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Lenses: Bausch & Lomb Lenses
Special Effects
The Ten Commandments (1956)
Directed by: Cecil B. DeMille
Cinematography by: Loyal Griggs
Edited by: Anne Bauchens
