Executive Producer
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Producer - Produced By
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Producer
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Distribution Partner: FilmNation Entertainment Team
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Producer
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Executive Producer
Red Dog (2011)
Directed by: Kriv Stenders
Cinematography by: Geoffrey Hall
Edited by: Jill Bilcock
Cameras: Red One Camera
Editing System: Lightworks Editing System
Co-producer
Sanctum (2011)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Producer
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Producer
The TV Set (2006)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Edited by: Tara Timpone
Producer
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Executive Producer
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Executive Producer
Memento (2000)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Cameras: Panavision Panaflex Gold II Camera
Production Coordinator: Working Title Films, Los Angeles
French Kiss (1995)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
