Francisco 'Panchi' López-Franco

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Runner Runner | ShotOnWhat?

Special Effects Technician

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Special Effects Technician

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Rum Diary | ShotOnWhat?

Set Dresser

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

Fast Five | ShotOnWhat?

Special Effects Technician

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Men Who Stare at Goats | ShotOnWhat?

Assistant Picture Car Coordinator: Puerto Rico

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Che: Part One | ShotOnWhat?

Assistant To Picture Car Coordinator

Che: Part One (2008)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

"The Wire" Not for Attribution | ShotOnWhat?

Set Decorator

'The Wire' Not for Attribution (2008)

Television Episode

Directed by: Joy Kecken, Scott Kecken

Cinematography by: Russell Lee Fine

Edited by: Kate Sanford

The Reaping | ShotOnWhat?

Second Lead Man

The Reaping (2007)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

True Caribbean Pirates | ShotOnWhat?

Set Dresser

True Caribbean Pirates (2006)

Television Movie

Directed by: Tim Prokop

Cinematography by: Paul Desatoff, Mark Morris

Edited by: F. Paul Benz, Michael Levine, Andy Wardlaw

After the Sunset | ShotOnWhat?

Set Dresser

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bad Boys II | ShotOnWhat?

Set Dresser

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

I Witness | ShotOnWhat?

Set Dresser

I Witness (2003)

Directed by: Rowdy Herrington

Cinematography by: Michael G. Wojciechowski

Edited by: Pasquale Buba

Cameras: Panavision Cameras

The Wire | ShotOnWhat?

Set Decorator - 1 Episode, 2008

The Wire (2002)

Television Series

Cinematography by: Uta Briesewitz, Russell Lee Fine, Dave Insley, Eagle Egilsson

Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses

Under Suspicion | ShotOnWhat?

Construction Buyer

Under Suspicion (2000)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: John Smith

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