Lead Compositor: Cutting Edge
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Compositor: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Senior Compositor: Cinesite
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Senior Compositor: MPC
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Senior Compositor: Cutting Edge
Beneath Hill 60 (2010)
Directed by: Jeremy Sims
Cinematography by: Toby Oliver
Edited by: Dany Cooper
Compositor: FSM
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Compositor: FSM
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Compositor: FSM
Kokoda (2006)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Adrian Rostirolla
Compositor: FSM
Suburban Mayhem (2006)
Directed by: Paul Goldman
Cinematography by: Robert Humphreys
Edited by: Stephen Evans
