Special Effects Technician
'The Finder' Bullets (2012)
Directed by: Terrence O'Hara
Cinematography by: Sidney Sidell
Edited by: Casey O. Rohrs
Special Effects Technician - 1 Episode, 2012
The Finder (2012)
Directed by: Daniel Sackheim, Adam Arkin, David Boreanaz, Alex Chapple, Milan Cheylov, James Hayman, Kevin Hooks, Dwight H. Little, Seith Mann, Vahan Moosekian, Terrence O'Hara, David Straiton
Cinematography by: Sidney Sidell
Cameras: ARRI ALEXA Camera
Special Effects Technician
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Special Effects Technician
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Special Effects
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Special Effects
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Coordinator: Second Unit
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects Coordinator
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Special Effects Technician
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects Foreman: Second Unit
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Special Effects Technician
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Special Effects Supervisor
Greedy (1994)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Special Effects
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Special Effects Foreman
Child's Play 3 (1991)
Directed by: Jack Bender
Cinematography by: John R. Leonetti
Special Effects Foreman
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Special Effects Technician
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Special Effects Technician
Like Father Like Son (1987)
Directed by: Rod Daniel
Cinematography by: Jack N. Green
Edited by: Lois Freeman-Fox
Special Effects
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Key Optical Effects Crew
SpaceCamp (1986)
Directed by: Harry Winer
Cinematography by: William A. Fraker
Special Effects Technician
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Special Effects
Under the Rainbow (1981)
Directed by: Steve Rash
Cinematography by: Frank Stanley
Edited by: David E. Blewitt
