R.L. Tolbert

24 Titles

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The Last Shot | ShotOnWhat?

Stunts

The Last Shot (2004)

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Stunts

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Wild Wild West | ShotOnWhat?

Stunts

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

The Mask of Zorro | ShotOnWhat?

Stunts

The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

For Richer or Poorer | ShotOnWhat?

Stunts

For Richer or Poorer (1997)

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

The Crucible | ShotOnWhat?

Stunts

The Crucible (1996)

Directed by: Nicholas Hytner

Cinematography by: Andrew Dunn

Edited by: Tariq Anwar

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Chain Reaction | ShotOnWhat?

Stunts

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

The Desperate Trail | ShotOnWhat?

Lean Poker Player, Stunt Coordinator

The Desperate Trail (1994)

Direct to Video

Directed by: P.J. Pesce

Cinematography by: Michael Bonvillain

Edited by: Bill Johnson

Camp Nowhere | ShotOnWhat?

Stunts

Camp Nowhere (1994)

Directed by: Jonathan Prince

Cinematography by: Sandi Sissel

Edited by: Jon Poll

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Posse | ShotOnWhat?

Utility Stunts

Posse (1993)

Directed by: Mario Van Peebles

Cinematography by: Peter Menzies Jr.

Edited by: Mark Conte, Seth Flaum

Robin Hood: Men in Tights | ShotOnWhat?

Stunts

Robin Hood: Men in Tights (1993)

Directed by: Mel Brooks

Cinematography by: Michael D. O'Shea

Edited by: Stephen E. Rivkin

Far and Away | ShotOnWhat?

Stunts

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

The Rookie | ShotOnWhat?

Stunts

The Rookie (1990)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Panavision Super Speed Lenses

Back to the Future Part III | ShotOnWhat?

Stunts

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II | ShotOnWhat?

Stunts

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Next of Kin | ShotOnWhat?

Stunts

Next of Kin (1989)

Directed by: John Irvin

Cinematography by: Steven Poster

Edited by: Peter Honess

Glory | ShotOnWhat?

Stunt Player

Glory (1989)

Directed by: Edward Zwick

Cinematography by: Freddie Francis

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Prancer | ShotOnWhat?

Stunts

Prancer (1989)

Directed by: John D. Hancock

Cinematography by: Misha Suslov

Edited by: Dennis M. O'Connor, John Rosenberg

Three Fugitives | ShotOnWhat?

Watchman Two

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Fatal Beauty | ShotOnWhat?

Stunts

Fatal Beauty (1987)

Directed by: Tom Holland

Cinematography by: David M. Walsh

Edited by: Don Zimmerman

Pale Rider | ShotOnWhat?

Horseman

Pale Rider (1985)

Directed by: Clint Eastwood

Cinematography by: Bruce Surtees

Edited by: Joel Cox

Silverado | ShotOnWhat?

Stunts

Silverado (1985)

Directed by: Lawrence Kasdan

Cinematography by: John Bailey

Edited by: Carol Littleton

1941 | ShotOnWhat?

Stunts

1941 (1979)

Directed by: Steven Spielberg

Cinematography by: William A. Fraker

Edited by: Michael Kahn

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision C Series Anamorphic Lenses

Comes a Horseman | ShotOnWhat?

Stunts

Comes a Horseman (1978)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Marion Rothman

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