Re-recording Mixer
An Officer and a Spy (2019)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Cameras: Sony CineAlta VENICE Camera
Re-recording Mixer
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Re-recording Mixer
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Re-recording Mixer
Le dernier loup (2015)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Reynald Bertrand
Re-recording Mixer
Les vacances du petit Nicolas (2014)
Directed by: Laurent Tirard
Cinematography by: Denis Rouden
Edited by: Valérie Deseine
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Re-recording Mixer
Respire (2014)
Directed by: Mélanie Laurent
Cinematography by: Arnaud Potier
Edited by: Guerric Catala
Cameras: ARRI ALEXA Camera
Re-recording Mixer
L'homme qu'on aimait trop (2014)
Directed by: André Téchiné
Cinematography by: Julien Hirsch
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Camera
Re-recording Mixer
The Chef's Wife (2014)
Directed by: Anne Le Ny
Cinematography by: Jérôme Alméras
Edited by: Guerric Catala
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Métamorphoses (2014)
Directed by: Christophe Honoré
Cinematography by: André Chemetoff
Edited by: Chantal Hymans
Re-recording Mixer
Les gamins (2013)
Directed by: Anthony Marciano
Cinematography by: Jean-Paul Agostini
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Venus in Fur (2013)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Cameras: Sony CineAlta F65 Camera
Re-recording Mixer
Möbius (2013)
Directed by: Eric Rochant
Cinematography by: Pierre Novion
Edited by: Pascale Fenouillet
Re-recording Mixer
Casse-tête chinois (2013)
Directed by: Cédric Klapisch
Cinematography by: Natasha Braier
Edited by: Anne-Sophie Bion
Re-recording Mixer
9 mois ferme (2013)
Directed by: Albert Dupontel
Cinematography by: Vincent Mathias
Edited by: Christophe Pinel
Cameras: Red Epic Camera
Re-recording Mixer
Renoir (2012)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Yannick Kergoat
Re-recording Mixer
À coeur ouvert (2012)
Directed by: Marion Laine
Cinematography by: Antoine Héberlé
Edited by: Mathilde Van de Moortel
Cameras: ARRI ALEXA Camera
Foley Recordist
The Impossible (2012)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Un bonheur n'arrive jamais seul (2012)
Directed by: James Huth
Cinematography by: Stéphane Le Parc
Edited by: Joëlle Hache
Re-recording Mixer
My Piece of the Pie (2011)
Directed by: Cédric Klapisch
Cinematography by: Christophe Beaucarne
Edited by: Francine Sandberg
Re-recording Mixer
Forces spéciales (2011)
Directed by: Stéphane Rybojad
Cinematography by: David Jankowski
Cameras: ARRI ALEXA Camera
Re-recording Mixer
L'ordre et la morale (2011)
Directed by: Mathieu Kassovitz
Cinematography by: Marc Koninckx
Re-recording Mixer
Gainsbourg: A Heroic Life (2010)
Directed by: Joann Sfar
Cinematography by: Guillaume Schiffman
Edited by: Maryline Monthieux
Recordist: Orchestra
Sound of Noise (2010)
Cinematography by: Charlotta Tengroth
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
King Guillaume (2009)
Directed by: Pierre-François Martin-Laval
Cinematography by: Régis Blondeau
Edited by: Philippe Bourgueil
Re-recording Mixer
Ultimate Heist (2009)
Directed by: Laurent Tuel
Cinematography by: Laurent Machuel
Edited by: Marion Monestier
Re-recording Mixer
Paris (2008)
Directed by: Cédric Klapisch
Cinematography by: Christophe Beaucarne
Edited by: Francine Sandberg
Re-recording Mixer
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Re-recording Mixer
Essaye-moi (2006)
Directed by: Pierre-François Martin-Laval
Cinematography by: Régis Blondeau
Edited by: Jenny Frenck
Cameras: ARRI Cameras
Re-recording Mixer
A Crime (2006)
Directed by: Manuel Pradal
Cinematography by: Giorgos Arvanitis
Edited by: Jennifer Augé
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Re-recording Mixer
The Beat That My Heart Skipped (2005)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton 35-III Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Unleashed (2005)
Directed by: Louis Leterrier
Cinematography by: Pierre Morel
Edited by: Nicolas Trembasiewicz
Re-recording Mixer
Transporter 2 (2005)
Directed by: Louis Leterrier
Cinematography by: Mitchell Amundsen
Re-recording Mixer
Wild Side (2004)
Directed by: Sébastien Lifshitz
Cinematography by: Agnès Godard
Edited by: Stéphanie Mahet
Re-recording Mixer
Qui perd gagne! (2003)
Directed by: Laurent Bénégui
Cinematography by: Gérard Simon
Edited by: Nathalie Langlade
Re-recording Mixer
The Mystery of the Yellow Room (2003)
Directed by: Bruno Podalydès
Cinematography by: Christophe Beaucarne
Edited by: Hervé de Luze
Re-recording Mixer
Kedma (2002)
Directed by: Amos Gitai
Cinematography by: Giorgos Arvanitis
Edited by: Kobi Netanel
Re-recording Mixer
Irreversible (2002)
Directed by: Gaspar Noé
Edited by: Gaspar Noé
Cameras: Aaton A-Minima Camera
Re-recording Mixer
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
Re-recording Mixer
Brotherhood of the Wolf (2001)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Re-recording Mixer
The Crimson Rivers (2000)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
