Bertrand de Saint Seine

24 Titles

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Human | ShotOnWhat?

Visual Effects Coordinator

Human (2015)

Directed by: Yann Arthus-Bertrand

Edited by: Françoise Bernard, Anne-Marie Sangla

Cameras: ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Editing System: Avid Editing System

Les trois frères, le retour | ShotOnWhat?

Visual Effects Artist

Les trois frères, le retour (2014)

Directed by: Didier Bourdon, Bernard Campan, Pascal Légitimus

Cinematography by: Pascal Caubère

Edited by: Jeanne Kef

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Maintenant ou jamais | ShotOnWhat?

Digital Compositor

Maintenant ou jamais (2014)

Directed by: Serge Frydman

Cinematography by: Pierre-Hugues Galien

Edited by: Céline Kélépikis

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les souvenirs | ShotOnWhat?

Visual Effects Coordinator

Les souvenirs (2014)

Directed by: Jean-Paul Rouve

Cinematography by: Christophe Offenstein

Edited by: Christel Dewynter

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

À coup sûr | ShotOnWhat?

Visual Effects Coordinator

À coup sûr (2014)

Directed by: Delphine de Vigan

Cinematography by: Antoine Monod

Edited by: Reynald Bertrand

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

The French Minister | ShotOnWhat?

Visual Effects Coordinator

The French Minister (2013)

Directed by: Bertrand Tavernier

Cinematography by: Jérôme Alméras

Edited by: Guy Lecorne

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Zulu | ShotOnWhat?

Visual Effects Coordinator

Zulu (2013)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Des gens qui s'embrassent | ShotOnWhat?

Visual Effects Coordinator

Des gens qui s'embrassent (2013)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

En solitaire | ShotOnWhat?

Visual Effects Coordinator

En solitaire (2013)

Directed by: Christophe Offenstein

Cinematography by: Guillaume Schiffman

Edited by: Ruy Diaz, Véronique Lange

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

On the Road | ShotOnWhat?

Titles And Credits

On the Road (2012)

Directed by: Walter Salles

Cinematography by: Eric Gautier

Edited by: François Gédigier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

Case départ | ShotOnWhat?

End Credits Sequence

Case départ (2011)

Directed by: Lionel Steketee, Fabrice Eboué, Thomas N'Gijol

Cinematography by: Jean-Claude Aumont

Edited by: Frédérique Olszak

Les émotifs anonymes | ShotOnWhat?

End Titles

Les émotifs anonymes (2010)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

600 kilos d'or pur | ShotOnWhat?

End Credits Sequence

600 kilos d'or pur (2010)

Directed by: Éric Besnard

Cinematography by: Jean-Marie Dreujou

Edited by: Christophe Pinel

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

La princesse de Montpensier | ShotOnWhat?

Titles And Credits

La princesse de Montpensier (2010)

Directed by: Bertrand Tavernier

Cinematography by: Bruno de Keyzer

Edited by: Sophie Brunet

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Clink of Ice | ShotOnWhat?

Titles And Credits

The Clink of Ice (2010)

Directed by: Bertrand Blier

Cinematography by: François Catonné

Edited by: Marion Monestier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Le code a changé | ShotOnWhat?

Titles And Credits

Le code a changé (2009)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

End Titles

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Secret défense | ShotOnWhat?

Assistant Editor

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Astérix aux jeux olympiques | ShotOnWhat?

End Titles

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Room of Death | ShotOnWhat?

Titles And Credits

Room of Death (2007)

Directed by: Alfred Lot

Cinematography by: Jérôme Alméras

Edited by: Maryline Monthieux

Hannibal Rising | ShotOnWhat?

Assistant Visual Effects Editor

Hannibal Rising (2007)

Directed by: Peter Webber

Cinematography by: Ben Davis

Edited by: Valerio Bonelli, Pietro Scalia

The Last Legion | ShotOnWhat?

Assistant Visual Effects Editor

The Last Legion (2007)

Directed by: Doug Lefler

Cinematography by: Marco Pontecorvo

Edited by: Simon Cozens

The Color of Freedom | ShotOnWhat?

Visual Effects Editor: Duran Duboi

Goodbye Bafana (2007)

Directed by: Bille August

Cinematography by: Robert Fraisse

Edited by: Hervé Schneid

Jean-Philippe | ShotOnWhat?

Assistant Editor: Visual Effects

Jean-Philippe (2006)

Directed by: Laurent Tuel

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

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